History Unit 7 Assignment: Timeline Activity
Leaks007
ART102Chapter35.pptxChapter 35
JAPAN, 1333 TO 1980
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
Learning Objectives
Describe the religious and artistic changes that appeared during the Muromachi period in Japan.
Explain Zen Buddhism’s influence on Japanese art and architecture.
Discuss how Japanese art of the Momoyama period reflects that era’s warlord control in Japan.
Describe the role of art in the Japanese tea ceremony.
Analyze the gradual changes that appear in Japanese art when the capital moved from Kyoto to Tokyo.
List the factors that account for the rapid entry of Japanese art and architecture into the international milieu.
Compare the style of the two Muromachi painters, Sesshu Toyo and Kano Motonobu.
Discuss the advent of the Rinpa school as an alternative to the traditional schools of painting.
Demonstrate how the combination of traditional art with crafts created new avenues of creation.
Explain how the increasingly urban population of Japan enabled both literati styles and ukiyo-e.
Contrast the factors behind the Westernization of Japanese oil painting and the work of Ernest Fenollosa and Okakura Kakuzo to resist this Westernization.
Discuss how folk art and refined rusticity impacted Japanese ceramic traditions.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
2
MAP 35.1
35.1 Modern Japan.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
3
Figure 35.1
35.1 Ando Hiroshige, Plum Estate, Kameido, from One Hundred Famous Views of Edo, Edo period, 1857. Woodblock print, ink and colors on paper, 1' 1 1/4" 8 5/8". Brooklyn Museum, Brooklyn (gift of Anna Ferris).
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
4
Figure 35.2
35.2 Kano Motonobu, Zen Patriarch Xiangyen Zhixian Sweeping with a Broom, from Daitokuji, Kyoto, Japan, Muromachi period, ca. 1513. Hanging scroll, ink and color on paper, 5' 7 3/8" 2' 10 3/4". Tokyo National Museum, Tokyo.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
5
Figure 35.3
35.3 Sesshu Toyo, splashed-ink (haboku) landscape, detail of the lower part of a hanging scroll, Muromachi period, 1495. Ink on paper, full scroll 4' 10 1/4" 1' 7/8", detail 4 1/2" high. Tokyo National Museum, Tokyo.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
6
Figure 35.3A
35.3A Kokedera moss garden, Saihoji, Kyoto, Japan, modified in Muromachi period, 14th century.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
7
Figure 35.4
35.4 Karesansui (dry-landscape) garden, Ryoanji, Kyoto, Japan, Muromachi period, ca. 1488.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
8
Figure 35.5
35.5 White Heron Castle, Himeji, Japan, constructed in 1346 and enlarged during the Momoyama period in 1581 and again in 1601–1609.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
9
Figure 35.6
35.6 Kano Eitoku, Chinese Lions, Momoyama period, late 16th century. Six-panel screen, ink, colors, and gold-leaf on paper, 7' 4" 14' 10". Imperial Household Collection, Tokyo.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
10
Figure 35.7
35.7 Hasegawa Tohaku, Pine Forest, Momoyama period, late 16th century. One of a pair of six-panel screens, ink on paper, 5' 1 3/8" 11' 4". Tokyo National Museum, Tokyo.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
11
Figure 35.8
35.8 Sen no Rikyu, interior of the Taian teahouse, Myokian temple, Kyoto, Japan, Momoyama period, ca. 1582.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
12
Figure 35.9
35.9 Kogan (tea-ceremony water jar), Momoyama period, late 16th century. Shino glazed stoneware with underglaze iron slip decoration, 7 3/4" high. Cleveland Museum of Art, Cleveland (John L. Severance Fund).
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
13
Figure 35.10
35.10 East facade of the Katsura Imperial Villa, Kyoto, Japan, Edo period, 1620–1663.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
14
Figure 35.10A
35.10A Tawaraya Sotatsu, Waves at Matsushima, from Shounji, Sakai, Japan, Edo period, ca. 1630. One of a pair of six-panel screens (Matsushima Screens), ink, colors, gold, and silver on paper, 4' 9 7/8" 11' 8 1/2". Freer Gallery of Art, Smithsonian Institution, Washington, D.C. (gift of Charles Lang Freer).
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
15
Figure 35.11
35.11 Honami Koetsu, Boat Bridge, writing box, Edo period, early 17th century. Lacquered wood with sprinkled gold and lead overlay, 9 1/2" 9" 4 3/8". Tokyo National Museum, Tokyo.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
16
Figure 35.12
35.12 Yosa Buson, Cuckoo Flying over New Verdure, Edo period, late 18th century. Hanging scroll, ink and colors on silk, 5' 1/2" 2' 7 1/4". Hiraki Ukiyo-e Museum, Yokohama.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
17
Figure 35.13
35.13 Suzuki Harunobu, Evening Bell at the Clock, from Eight Views of the Parlor, Edo period, 1765. Woodblock print, 11 1/4" 8 12". Art Institute of Chicago, Chicago (Clarence Buckingham Collection).
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
18
Figure 35.13A
35.13A Kitagawa Utamaro, Ohisa of the Takashima Tea Shop, Edo period, 1792–1793. Woodblock print, ink and colors on paper, 1' 2 7/8" 9 3/4". British Museum, London.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
19
Figure 35.14
35.14 Katsushika Hokusai, The Great Wave off Kanagawa, from Thirty-six Views of Mount Fuji, Edo period, ca. 1826–1833. Woodblock print, ink and colors on paper, 9 7/8" 1' 2 3/4". Museum of Fine Arts, Boston (Bigelow Collection).
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
20
Figure 35.15
35.15 Takahashi Yuichi, Oiran (Grand Courtesan), Meiji period, 1872. Oil on canvas, 2' 6 1/2" 1' 9 5/8". Tokyo National University of Fine Arts and Music, Tokyo.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
21
Figure 35.16
35.16 Kano Hogai, Bodhisattva Kannon, Meiji period, 1883. Hanging scroll, ink, colors, and gold on silk, 5' 4 3/8" 2' 9 3/8". Freer Gallery of Art, Smithsonian Institution, Washington, D.C. (gift of Charles Lang Freer).
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
22
Figure 35.17
35.17 Kenzo Tange, aerial view of the national indoor Olympic stadiums (looking northeast), Tokyo, Japan, Showa period, 1961–1964.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
23
Figure 35.18
35.18 Hamada Shoji, large plate, Showa period, 1958. Stoneware with porcelain enamel glaze, 10 3/4" diameter. Private collection.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
24
Figure 35.19
35.19 Kazuo Shiraga, Making a Work with His Own Body, Showa period, 1955. Mud.
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
25
Discussion Questions
What role did Zen Buddhism play in shaping the art of Japan?
What are some aesthetic qualities favored during the Japanese tea ceremony? How does this affect the site and implements used during the ceremony?
What elements characterize ukiyo-e prints? How do they compare to popular prints from northern Baroque Europe?
Which do you consider the most significant example of Japanese architecture, and why?
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
26
