History Unit 7 Assignment: Timeline Activity
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ART102Chapter34.pptxChapter 34
CHINA AND KOREA, 1279 TO 1980
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
Learning Objectives
Interpret the impact the Mongol emperors had on the arts of China.
Compare Chinese literati painters of the Yuan and Ming dynasties.
Describe the Ming Imperial City, including the Forbidden City and the pleasure gardens.
Discuss the concept of “primordial line” in Qing literati painting.
Describe the process of producing Chinese lacquered wood.
Explain two different instances of foreign influence in Chinese arts and culture.
List the porcelain traditions in China from the Yuan to the Qing dynasties.
Analyze the impact of Communism on Chinese art.
Compare the use of the gateway in Chinese and Korean architecture.
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MAP 34.1
34.1 China during the Ming dynasty.
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Figure 34.1
34.1 Aerial view (looking north) of the Forbidden City, Beijing, China, Ming dynasty, 15th century and later.
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Figure 34.1c
34.1c The southern entrance to the Forbidden City was the Noon Gate. Only the emperor could walk through the central portal. Those of decreasing rank used the lateral passageways.
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Figure 34.1A
34.1A Zhao Mengfu, Sheep and Goat, Yuan dynasty, ca. 1300. Section of a horizontal scroll, ink on paper, 9 7/8" high. Freer Gallery of Art, Smithsonian Institution, Washington, D.C.
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Figure 34.2
34.2 Guan Daosheng, Bamboo Groves in Mist and Rain (detail), Yuan dynasty, 1308. Section of a handscroll, ink on paper, full scroll 9 1/8" 3' 8 7/8". National Palace Museum, Taipei.
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Figure 34.3
34.3 Wu Zhen, Stalks of Bamboo by a Rock, Yuan dynasty, 1347. Hanging scroll, ink on paper, 2' 11 1/2" 1' 4 5/8". National Palace Museum, Taipei.
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Figure 34.4
34.4 Huang Gongwang, Dwelling in the Fuchun Mountains, Yuan dynasty, 1347–1350. Section of a handscroll, ink on paper, full scroll 1' 7/8" 20' 9". National Palace Museum, Taipei.
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Figure 34.4A
34.4A Ni Zan, Rongxi Studio, Yuan dynasty, 1372. Hanging scroll, ink on paper, 2' 5 3/8" high. National Palace Museum, Taipei.
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Figure 34.5
34.5 David Vases, Yuan dynasty, 1351. Pair of white porcelain vases with cobalt-blue underglaze, each 2' 1" tall. British Museum, London (Sir Percival David Foundation of Chinese Art).
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Figure 34.5A
34.5A Phoenix Pavilion (looking east), Great Mosque (Hua Jue Jiang Mosque), Xi’an, China, begun 1392.
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Figure 34.6
34.6 Hall of Supreme Harmony (looking north), Forbidden City, Beijing, China, Ming dynasty, 15th century and later.
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Figure 34.7
34.7 Throne room, Hall of Supreme Harmony, Forbidden City, Beijing, China, Ming dynasty, 15th century and later.
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Figure 34.8
34.8 Wangshi Yuan (Garden of the Master of the Fishing Nets), Suzhou, China, Ming dynasty, 16th century and later.
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Figure 34.9
34.9 Guanyun (Cloud Crowned) Peak, rock formation in the Liu Yuan (Lingering Garden), Suzhou, China, Ming dynasty, 16th century and later.
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Figure 34.10
34.10 Table with drawers, Ming dynasty, ca. 1426–1435. Carved red lacquer on a wood core, 3' 11" long. Victoria & Albert Museum, London.
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Figure 34.11
34.11 Shang Xi, Guan Yu Captures General Pang De, Ming dynasty, ca. 1430. Hanging scroll, ink and colors on silk, 6' 5" 7' 7". Palace Museum, Beijing.
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Figure 34.12
34.12 Shen Zhou, Lofty Mount Lu, Ming dynasty, 1467. Hanging scroll, ink and colors on paper, 6' 4 1/4" 3' 2 5/8". National Palace Museum, Taipei.
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Figure 34.12A
34.12A Shen Zhou, Poet on a Mountaintop, Ming dynasty, ca. 1490–1500. Album leaf, ink on paper, 1' 3 1/4" 1' 11 3/4". Nelson-Atkins Museum of Art, Kansas City (Purchase, Nelson Trust).
Kleiner, Gardner’s Art through the Ages: A Global History, 16th Edition. © 2020 Cengage. All Rights Reserved. May not be scanned, copied or duplicated, or posted to a publicly accessible website, in whole or in part.
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Figure 34.13
34.13 Dong Qichang, Dwelling in the Qingbian Mountains, Ming dynasty, 1617. Hanging scroll, ink on paper, 7' 3 1/2" 2' 2 1/2". Cleveland Museum of Art, Cleveland (Leonard C. Hanna Jr. bequest).
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Figure 34.14
34.14 Wen Shu, Carnations and Garden Rock, Ming dynasty, 1627. Fan, ink and colors on gold paper, 6 3/8" 1' 9 1/4". Honolulu Academy of Arts, Honolulu (gift of Mr. Robert Allerton).
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Figure 34.15
34.15 Shitao, Reminiscences of Nanjing: Riding the Clouds, Qing dynasty, 1707. Album leaf, ink on paper, 1' 1/4" 8 7/8". Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C.
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Figure 34.16
34.16 Giuseppe Castiglione (Lang Shining), Auspicious Objects, Qing dynasty, 1724. Hanging scroll, ink and colors on silk, 7' 11 3/8" 5' 1 7/8". Palace Museum, Beijing.
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Figure 34.17
34.17 Dish with lobed rim, Qing dynasty, ca. 1700. White porcelain with multicolored overglaze, 1' 1 5/8" diameter. Sir Percival David Foundation of Chinese Art, London.
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Figure 34.18
34.18 Ye Yushan and others, Rent Collection Courtyard (two details), Dayi, China, 1965. Clay, complete group of life-size figures 100 yards long.
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Figure 34.19
34.19 Namdaemun (looking southwest), Seoul, South Korea, Joseon dynasty, first built in 1398.
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Figure 34.20
34.20 Jeong Seon, Geumgangsan (Diamond Mountains), Joseon dynasty, 1734. Hanging scroll, ink and colors on paper, 4' 3 1/2" 1' 11 1/4". Hoam Art Museum, Kyunggi-Do.
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Discussion Questions
What are examples of how Chinese literature and art are interconnected? Can you think of examples from other cultures that also bring art and the word so closely in alignment?
Why is Chinese porcelain highly valued in the Western world?
How did Western art influence Chinese art? In turn, how has Chinese art influenced the art of other societies?
What features make the gardens of Suzhou a key example of landscape architecture?
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