Essay Culture & Humanity EXAM 2: ANTH 152 LCC Wai`anae Moku: Fall 2020

profileitshaley.d
ANTH152Week8Gender2020FallLCCw.pptx

GENDER & CULTURE

Anthropology 2000: Culture & Humanity

Week 8: Fall 2020

1

Overview

Ethnology

Gender and Culture Basics

Gender Case Studies

Culture Theory:

Power Vs. Semiotic Approaches

Key Terms and Points

ETHNOLOGY vs ethnography

Ethnography

Description of a particular cultural world

Course Materials:

Rapa Nui, Vanuatu, Japan, etc.

Ethnology

Comparative Analysis of Different Cultures

Implications of Comparisons

Human realities as culturally constructed when you disclose variation. Food is an easy context to think about these issues.

Gender & Culture

We are engaging ethological analysis of gender; that is, cross cultural analysis of masculinity, femininity, transgender, etc.

First, what is the difference between Sex and Gender for social science basically?

Sex as biological

While there is some variation that complicates the classifications, generally there are biological markers that classify a person as male or female at birth:

Genetic Identity

XX, XY

Does not change with a “sex change/Gender Reassignment” operation

Reproductive Biology

Biology for Giving Birth

Uterus, etc.

Does not change with a “sex change/Gender Reassignment” operation

Biology for Contributing to Pregnancy

Sperm, etc.

Does not change with a “sex change/Gender Reassignment” operation

While these distinctions can be and are challenged, they remain foundational to introduce the anthropology of gender

5

Gender

Gender is constituted by the LEARNED knowledge, behaviors, values, and social roles that define different genders of a society

Masculinity

Femininity

Transgender

Queer Gender

“Other 3rd Genders”

6

Thus while one may be biologically male at birth, one learns one’s own cultural ways of being “masculine”, or learns ways of alternative genders (feminine, transgender, etc.)

Stereotypically, for example, male babies may start to wear “blue” while female babies wear “pink” clothes. One’s parents, in this case, are constructing our gender by selecting the clothes that masculinize or feminize us.

Gender

7

Two Kinds of Evidence showing gender is culturally constructed

1. Historical

2. Cross-cultural Variation

If gender were biologically determined, then it would NOT Change historically or cross-culturally, but be expressed UNIVERSALLY in the same way worldwide

All masculinity, femininity, third and additional genders would be the same everywhere at all times like all humans have a heart, lungs, etc. (minus complications of birth).

While there are some regularities, there is considerable diversity in human gender norms.

Gender As Culturally Constructed

8

Gender & Culture

What are ways that gender is distinguished?

Or Constructed?

Think yourself before moving on

Gender & Culture

Some ways masculinity, femininity, and transgenders are constructed variably in different cultures:

Behavior

Clothing

Language

Personal Appearance

Social Roles

Marital, kinship, everyday life

Social opportunities/inequalities

Sexuality

Jobs

In the 1950s USA, this was marked by language categories

Nurses, Stewardess, Waitress, etc.—women

Doctors, Pilots, Chefs—Men

Rapa Nui Masculinity

Let me give you some Rapa Nui examples.

Being a Rapa Nui Man

Involves learning Carving Knowledge & Practice

It is part of Rapa Nui masculinity to carve;

Guys sit around and talk carving like men in the US culture sit around and talk sports stereotypically.

in the U.S. masculinity is not defined in these terms.

Below is my culture teacher Ioni Tuki who was introduced to you in my language story with Piru (his aunt).

Beside me is Ioni’s grand daughter assisting me.

11

Rapa Nui Masculinity

While living in Rapa Nui I learned to be a “man” by developing knowledge of Carving

12

RAPA NUI Gender

Being a Rapa Nui Man

Part of Rapa Nui masculinity involves learning to know how to fish;

Knowledge of fishing life is “normal” for defining masculinity in Rapa Nui.

Women occasionally fish, but not “normally”.

Here Ioni is fishing with his son.

RAPA NUI Gender

Rapa Nui women instead learn how to collect shell fish

Part of the “local knowledge” of Rapa Nui girls and women is to know how to go to the shore and gather shell fish

Pictured here is my teacher Piru who is on the cover of the At Home and in the Field Book

RAPA NUI Gender

Funny story:

One day, I went with the guys above fishing

There were two poles and three of us.

I decided to collect shell fish to make myself useful.

The guys in the above photo (father/son) started to tease me and call me a “woman” because I was doing “women’s” work and not being a REAL MAN!

RAPA NUI Gender

Hatuke

You are looking at the inside of a Sea Urchin that I collected with the women.

Generally, men do not collect shellfish;

it is the job of women to get shellfish.

Gendered Division of Labor

If you eat Hatuke in Rapa Nui, then you probably acquired it through the work of women while fish you get from the work of men

Gender and Ceremony/Ritual

Often masculinity, femininity, and additional genders are produced, in part, through coming of age rituals/ceremonies or specific cultural practices

Two cases studies to consider

Vanuatu and Nagol

Moso and the Skirt Ceremony.

VANUATU Masculinity

Take a look at the following quick youtube

Land Divers | National Geographic

https://www.youtube.com/watch?v=l0Mq6rCfYtU

NAGOL: Land Diving

A Traditional custom (Kastom) of a the southern part of Pentacost Island, Vanuatu

NAGOL, Vanuatu

Gender Symbolism

Nagol is a masculinity ritual

Traditionally a ritual that was part of becoming

A warrior

A sexually attractive man

Growing up, I sometimes see my playing sports like football as similarly constructing my masculinity—displaying my “tuffness” as a young man

Moso Cultural world

The collection of Chapters assigned on the Moso come from the book on the right by Namu and Mathieu.

Yang Erche Namu

Is a Moso woman who left the Moso world to become a famous international singer of China

The book is a story of Namu’s life

Christine Mathieu

Is an anthropologist of the Moso people

Moso people

Moso people

Live primarily around Lake Lugo in the Yunnan province of China

The Moso number about 30,000 and are one of 56 recognized ethnic groups of China

Naxi (pronounced Na-shi) peoples number about 300,000 and are the predominant ethnic group of Yunnan province.

Though sometimes called Naxi, the Moso distinguish themselves from the Naxi

Next slide provides more “mapping” of their world

Lake Lugo YunnAn province, China

Moso History

There are no definitive histories of the ancient origins of Moso though they are known to have existed over a thousand years around Lake Lugo

Mathieu notes that there is an ancient “country of Women” referenced in Chinese history that had female rulers and ministers and a matrilineal family structure.

She wonders if some of them founded Moso society as their world was attacked in the 9th century and ceased to exist in Chinese history.

Moso Cultural WOrld

While Moso communities vary,

“All Moso speak and understand the same language, worship common gods, eat the same foods, sing the same songs, and wear similar traditional dress, and all Moso, even the patrilineal people of Labei share the belief that the true Moso family, that essential, founding unit of society, is the extended maternal household” (LML, pg. 274)

Mother Lake

Lake Lugu, also called “Xienami” or Mother Lake by the Moso

The lake is at about 10,000 feet.

THe higher mountain pictured is called Gamu and is known as the home of the Moso Goddess

Gamu Mountain Home of Segge Gamu Goddess

Daba Reilgion

The Indigenous religion of Moso is called Daba

Segge Gamu, the Goddess of Gamu Mountain is a center of the worldview.

Segge Gamu

According to Namu,

Segge Gamu means “White Lioness”

Segge Gamu is a Mountain Goddess

“Gamu is not only a lioness,

she is also a woman and the mother of the Moso people” (LML, pg. 101).

Segge Gamu

According to Namu,

Segge Gamu is “very beautiful and has many lovers, as well as a special companion whose name is Azhapula, who is the mountain god of Qiansuo”

Namu tells stories of Segge Gamu that link her spiritual encounters to landscapes (LML, pages 101-102).

Today, Moso conduct festivals in her honor and sing songs that express gratitude for her protection, and care in providing food and resources for Moso life (LML, pages 102-103)

Moso Social Structure

“Seen from the Moso perspective…free visiting relationships strengthen and support the stability of the family. Because sexual relationships are assumed to be limited in time, because they take place outside working hours, and because they do not engage partners economically, love affairs don't intrude on the family's economic life or compete with the brother-sister and mother-children bonds that are at the affective core of the family” (LML, 276).

Matrilineal Society

“the ideal family is a large group of people, all related through the women of the house-grandmothers, maternal great-uncles, mothers, sisters, maternal undes, daughters, sons, grandchildren, nephews, and nieces. At the core of this family, there may be no husband, no wife, and no father, but, instead, brothers, sisters, mothers, and maternal uncles…

Ideally,-Moso families should never divide, wealth should be held communally and shared equally for the benefit of all family members, and there should be no need for inheritance rules because property may simply pass on, down the generations, as children succeed their mothers. and uncles in the ancestral home (LML, p. 274-275).

BabaHuago

While the Moso uphold this ideal of an indivisible family, however, they also keep sexual relations strictly out of the family-a rule of conduct that finds its most concrete expression in the fact that in a Moso house, only women have their own bedrooms, evocatively called babahuago, or "flower rooms." Old people and children under thirteen sleep in the main room, near the fireplace or in wooden alcove beds alongside the walls. Adult men are expected to sleep at their lovers', or if they don't have lovers, in one of the outhouses or guest rooms if the family hasthose

Moso Femininity

Girls become women through completing a Skirt Ceremony.

Book: Leaving Mother Lake “My Skirt Ceremony” (on Laulima)

Watch “Free Love | National Geographic” on youtube

You will see the skirt ceremony toward the end though without some features described in the book (nudity).

https://www.youtube.com/watch?v=Vg9Lv224580

Moso Femininity

Book: Leaving Mother Lake “My Skirt Ceremony”

Please read details of the ceremony in the book

This is a great example of showing how “femininity” is produced through the ceremonial practice of the skirt ceremony rather than “naturally” given by biology.

Moso girls are born of course with the biological properties of a female; but “becoming a woman” or “womanhood” is culturally constructed by the ceremony.

BabaHuago

After completing the Skirt Ceremony, young women form their room into a babahuago:

“While the Moso uphold this ideal of an indivisible family, however, they also keep sexual relations strictly out of the family-a rule of conduct that finds its most concrete expression in the fact that in a Moso house, only women have their own bedrooms, evocatively called babahuago, or "flower rooms." Old people and children under thirteen sleep in the main room, near the fireplace or in wooden alcove beds alongside the walls. Adult men are expected to sleep at their lovers', or if they don't have lovers, in one of the outhouses or guest rooms if the family has those” (LML,

Sese

“Because the Moso arrange sexual relations as men's visits to their lovers' houses, the custom is sometimes call visiting marriage, or also walking marriage. The latter, which is the term preferred by Chinese anthropologists, is derived from the Moso's own terminology; who refer to sexual relationships as sese, meaning "walking." By any stretch of the imagination, however, sese are not marriages. Sese are of two types - they are entirely private and usually short-lived, or they are more stable and publicly acknowledged, but all sese are of the visiting kind, and none involves the exchange of vows, property; the care of children, or expectations of fidelity” (LML, 275-276) .

“Visiting relationships, they say, keep relations between men and women pure and joyful, and people who live in large maternal houses do not fight like married people do” (LML, 280)

Gender Changes Historically Within a Cultural World

U.S. Femininity

What is normative Femininity has changed radically since the 1960s.

Changed because of the International Women’s Movement—POLITICAL Activism of Women throughout the world.

Thailand Case Study

Shows femininity changing as women challenge some of their subordinate status to men.

For example they are changing their perspectives on men having extra-marital relations; becoming less tolerant of husband promiscuity and the double standard for women (to be faithful despite male promiscuity)

Prostitutes, Menstrual Blood, Minor Wives and Feeding the Ducks LeeRay Costa

Costa’s Chapter discusses three genders in Thailand while noting others:

Femininity, Transgendered, Masculinity

She describes the following features of Femininity

Riproi

Proper Women are “riproi” (neat, orderly, quiet)

They are Homemakers, Caregivers

Have Sex within Monogamous relation with Husband

Sophenee

They consciously distinguish themselves from Prostitutes (sophenee, garee)

Prostitutes have Sex outside marriage while riproi women do not.

Prostitutes, Menstrual Blood, Minor Wives and Feeding the Ducks

Costa characterizes some features of Thai masculinity as follows:

Men work outside the home

Have to avoid contact with dangerous “menstrual blood of women”

Women must keep undergarments away from men

Women kept away from many Buddhist temples due to “defiling” blood.

Mia Noi

Sex outside of Marriage is okay with “mia noi” unless excessive; wives are supposed to tolerate it.

It shows the virility of men and is positively valued within “reason”.

Prostitutes, Menstrual Blood, Minor Wives and Feeding the Ducks

Thai Masculinity

Feeding the Ducks

Now Thai women threaten overly promiscuous men that they may feed the ducks if they are too promiscuous

This means cutting off a man’s penis and feeding it to the ducks

Costa notes similarities to the Lorena Bobbitt story of the US a few decades ago (pictured)

Prostitutes, Menstrual Blood, Minor Wives and Feeding the Ducks

Thus, Thai gender norms are entangled in power relations between men and women (as well as other Thai genders)

Like Western women, Thai women are

Beginning to contest the norms that create different standards for men and women

Beginning to work outside their home and pursue more equitable relations with men.

The Politics of Normality and Gender

Often many of us aspire to normality

If one is not normal in gender or other social practices one risks becoming ridiculed, pathologized, marginalized, etc.

Normality in gender or any social practice however should ultimately be studied POLITICALLY

Any given norm works often Against alternatives

In noting the “normal” by no means then does anthropology aim to “validate” the norm; in fact by nothing it as “normative” we aim to expose its contingency in culture that can be contested, revised, eliminated, etc.

Gender and the Politics of Norms

IN our Thai case study it is clear Costa is providing ethnography that contests the norms of Thai culture

Gender & Power

While all issues of culture are entangled in power relations and struggles, gender issues are particularly important of late to study entanglements of power as some genders are subordinated to others or in perpetual struggle for legitimacy in relation to others.

To address these issues of power I want to engage other conceptions and theory of culture.

44

Culture Theory

Semiotic Approaches

To some extent, in learning about how different cultural domains vary in meaning and value worldwide, we have been approaching culture in terms of semiotics (roughly a fancy word for meaning and value)

Power Approaches

I want to now begin to introduce more power-based approaches in light of our Thai Case

Culture & Power

Michel Foucault

In the Monaghan and Just text, the philosopher Michel Foucault (left) is introduced to discuss the relation of power to culture (on his right by the way is another philosopher—Jean Paul Sartre)

Foucault is famous for many philosophical ideas and has influenced anthropology and social sciences in many ways.

Culture & Power

While Foucault would not deny culture gives meaning and value to human being, he would complicate this semiotic view of culture by highlighting how any cultural formation of meaning and value works against alternative formations of meaning and value that could alternatively be present but are absent because of the history of power articulating in a social formation.

Culture & Power

Foucault’s books analyze how Cultural Knowledge formations (local or global) reflect a history of power relations and struggles.

For Foucault, the history of power underlying cultural formations is not only repressive (subjugates alternatives), but productive

it creates and legitimates particular kinds of societies and social identities

Those legitimated are validated in ways that marginalize alternatives.

Culture & Power

Consider the 1950s American feminine identity centered in being a “HOUSEWIFE”.

This gender norm produced femininity in ways that subjugated alternative roles for women.

Instead of producing women as equal to men in the public world, it confined their role to the home.

Feminists in this period, notably in the book The Feminine Mystique, challenged this gender role… what Foucault would call a “subject position”.

KEY EXAM ANALYTICAL STUDY POINTS

Gender norms, are not given by one’s biological sex determined at birth; one learns them.

They are culturally constructed in the sense that the social roles, values, behaviors, knowledge, etc. that constitute masculinity/femininity/3rd genders are learned as a member of a social group by enculturation with the cultural categories, values, social institutions, etc. of that group.

The practices that constitute masculinity and femininity and 3rd genders are relative to culture on some level, and NOT UNIVERSAL. Nagol constitutes masculinity in Vanuatu but not in Hawaii.

This can be recognized by noting Gender norms change historically within cultural groups.

And noting that what is normative in one culture, may not be in another (just like food)

KEY EXAM ANALYTICAL STUDY POINTS

Gender norms, and any norms, are importantly questioned to create alternative expression of gender that can be a source of liberation, social change, empowerment, etc. important for social equality, progress, justice, etc.

We begin cultural analysis, by first developing tools for understanding how meaning and value (of things, relations, people, etc. ) is culturally constructed. A second step involves seeing how that cultural meaning is political and thus contestable. By exposing the politics of cultural norms, alternatives can be realized that enable social changes, hopefully, progressive in form and substance. Also exposing the politics of cultural norms reveals the political history behind their emergence which “de-naturalizes” their necessity.

Possible ID TERms

Hatuke

Nagol

Sese

Babahuago

Riproi

Mia Noi

Segge Gamu

Hatuke Exam Example

Hatuke is the Rapa Nui name for what we call “sea urchin” in the USA. While enjoyed as food by all on Rapa Nui generally, it is a food collected traditionally by women. Eating Hatuke in Rapa Nui depends upon the work of women. Eating fish in Rapa Nui, instead, depends on the work of men. There is a relatively strong gender division of labor for Rapa Nui and it is reflected in the food one eats. There is not only “culture” in food, but gender is IN food too.

.MsftOfcThm_Accent1_Fill { fill:#A9A57C; } .MsftOfcThm_Accent1_Stroke { stroke:#A9A57C; }

.MsftOfcThm_Accent1_Fill { fill:#A9A57C; } .MsftOfcThm_Accent1_Stroke { stroke:#A9A57C; }

.MsftOfcThm_Accent1_Fill { fill:#A9A57C; } .MsftOfcThm_Accent1_Stroke { stroke:#A9A57C; }

.MsftOfcThm_Accent1_Fill { fill:#A9A57C; } .MsftOfcThm_Accent1_Stroke { stroke:#A9A57C; }

.MsftOfcThm_Accent1_Fill { fill:#A9A57C; } .MsftOfcThm_Accent1_Stroke { stroke:#A9A57C; }