Answer 4 out of 5 questions
Soham98
AGNY2020StudyPack_3_1_.pptxAGNY Study Pack # 4
Kenneth Hayes Miller, The Fitting Room, 1931
2
Kenneth Hayes Miller, Bargain Hunters, 1940
3
Isabel Bishop, Hearn's Department Store, 1927
4
Isabel Bishop, Dante and Virgil in Union Square, 1932
5
Edward Laning, Fourteenth Street, 1931
6
Reginald Marsh, Tattoo and Haircut, 1932
7
Marsh, Hudson Bay Fur Company, 1932
8
Walker Evans,
Many Are Called, 1938-41
a three-year photographic study of people on the New York subway
9
Mark Rothko, Subway, 1939-40
George Tooker, The Subway, 1950
(Whitney Museum)
10
Hopper, Chop Suey, 1929
11
Edward Hopper, Automat, 1927
12
Edward Hopper, Early Sunday Morning, 1930
13
Edward Hopper, The City, 1927
14
Edward Hopper, House by the Railroad, 1925
15
Edward Hopper, New York Movie, 1939
16
Edward Hopper, Nighthawks, 1942
17
.
“American Sources of Modern Art (Aztec, Mayan, Incan),” MoMA, 1933
18
"The Modern Primitives have been chosen to open theseries of new galleries for tw “Modern Primitives: Artists of the People” (October 21, 1941–April 30, 1944) The Museum of Modern Art
19
Morris Hirshfield, The Artist and His Model, 1945
20
Hirshfield, Girl with Pigeons, 1942
21
Hirshfield, Angora Cat, 1937-9
22
Sheeler, Home Sweet Home, 1931
23
Kuniyoshi, The Swimmer, 1924
24
Kuniyoshi, Boy Stealing Fruit, 1923
25
Elie Nadelman, Tango, 1920–24
Elie Nadelman, Woman at the Piano, 1920–24
26
Florine Stettheimer, Family Portrait II, 1933
27
Stettheimer, Spring Sale at Bendel’s, 1921
28
Stettheimer’s sets and costumes for Gertrude Stein & Virgil Thomson’s Four Saints in Three Acts (1934) (choreography by Frederick Ashton)
29
Stettheimer, Cathedrals of Art, 1942
30
William H. Johnson,
Street Life, Harlem
ca. 1939-1940
31
James Van Der Zee, Couple in Harlem, 1932 Date: 1932
32
James Van Der Zee, Untitled [Dancing Girls], 1928
33
Aaron Douglas graphic design: 1926 (L) and 1927 (R)
34
Palmer Hayden,
Fétiche et Fleurs,
1926 or c.1932-3
SSN:
35
Loïs Mailou Jones, Les Fétiches, 1938
36
Augusta Savage, Lift Every Voice and Sing (also known as "The Harp"), 1939
\
37
Charles Alston, Girl in a Red Dress, 1934
38
Charles Henry Alston, Untitled, c. 1946-1949
39
Migration of the Negro at the Museum of Modern Art, 1944
40
Jacob Lawrence,
The Migration of the Negro, Panel no. 1
During the World War there was a great migration North by Southern Negroes.
41
In every town Negroes were leaving by the hundreds to go North and enter into Northern industry.
The Negroes were given free passage on the railroads which was paid back by Northern industry. It was an agreement that the people brought North on these railroads were to pay back their passage after they had received jobs.
They were very poor.
Another cause was lynching. It was found that where there had been a lynching, the people who were reluctant to leave at first left immediately after this.
The Negroes that had been brought North worked in large numbers in one of the principal industries, which was steel.
As well as finding better housing conditions in the North, the migrants found very poor housing conditions in the North. They were forced into overcrowded and dilapidated tenement houses.
In the North the Negro had better educational facilities.
