theater final
A
Act 2
Genre
point of view
Subtext
David Henry Hwang
Tragedy and Traditional Tragedy
Closet drama
Modern Tragedy
Playwright
Point of attack
Domestic drama
Melodrama
Comedy
Rising action
Falling action
Farce
Satire
Slapstick
Stock Characters
Domestic Comedy
Comedy of Manners
Denouement
Tragicomedy/black comedy
Theatre of the Absurd
Antagonist and Protagonist
Exposition
Climax
Plot and subplot
Obstacle
Romantic comedy
High & Low comedy
Script
Theme
Realism
Naturalism
Act 3
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Robert Edmond Jones
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Fourth wall
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Found space/site specific
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Proscenium theatre/stage/arch
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Turntable stage
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Scrim
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Strike
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Masking
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Wings
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Platform(s) stage
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Thrust stage
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Apron
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Arena stage
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Wagon(s) stage
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Fly loft/space/flies
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Black box theatre
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Renderings
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House
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Cyclorama
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Sightlines
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Act curtain
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Design concept
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Technical director
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Ghostlight
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Terms: Costume, Makeup & Wigs
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Stitchers
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Pulling
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Fitting |
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Distressing |
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Wardrobe supervisor/crew |
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Costume plot |
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Drapers/Cutters/Pattern-makers |
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Milliner |
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Wigmaster (Designer/Supervisor) |
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Makeup Designer |
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Costume renderings |
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Costume designer |
Terms: Lighting
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Catwalk |
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Elliposidal reflector spotlight |
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Automated lights |
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Dimmers |
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Functions of lighting design |
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Fresnel |
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Light cues |
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Gels |
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LEDs |
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Lighting Designer |
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Master Electrician |
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Light Board (Operator) |
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Light plot |
Terms: Sound
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Sound designer |
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Body mike |
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Sound reinforcement |
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Amplification |
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Underscoring |
Terms: Scenic & Properties
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Role of scene designer |
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Props designer |
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Box set |
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Ground plan |
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Drop |
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Flat |
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Master carpenter |
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Scenic projection design |
Act 4
Magic If
Objective
Super objective
Open/Closed call
Cold reading
Stanislavsky "The Method of Physical Action"
Auteur
Metaphor
Rhetorical tradition
Blocking
Science of Applied Aesthetics
Affective memory
Theatre Producer
Production concept
Dress Rehearsal
Previews
Promptbook
Technical rehearsal
Given circumstances
Stage picture
Run-through
Biomechanics
Stage manager
Off-book
Non-traditional casting
Casting director
Tablework
Scenework
Quadrants of the stage