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c o m m u n i t y
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The Urban Gardens of Nuestras Raíces
s o u t h h o l y o k e , m a s s a c h u s e t t s
“I am seventy-three years old, soon seventy-four. The twenty-
third of this month makes sixteen years I’m here.”
For all his adult life Alejandro Marrero has tended food. Un-
til he got this garden plot at La Finquita, Little Farm, the first
of seven community gardens in South Holyoke, Massachusetts,
created by a grassroots organization known as Nuestras Raíces
(Our Roots), it was always the company’s field, the company’s
crops, and the company’s profit. Alejandro came from Puerto
Rico for six months in 1965 for his first job as a migrant farm-
worker, recruited by a labor contractor to harvest flowers in New
Jersey. “Tulips,” he says. I speak no Spanish and he speaks only a
little English, so to help me understand, he illustrates, one hand
shaping a cup, the other defining its stem. He signs with hands
that know these flowers—he has picked them by the thousands,
perhaps by the hundreds of thousands. For gladiolas, his fingers
climb an invisible stem, rising into the air.
After the flower fields of New Jersey, Alejandro moved on to
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Pennsylvania. “Asparagus,” he says. “That was the worst. All
day. The rows went from here to that building over there.” He
points to a clock tower on a hill across town. “You just go like
this all the way down the row.” He shuffles, bent double, one
hand pressed to his lower back. After that, it was tobacco on the
farms that stretch down the long exit road from Bradley Interna-
tional Airport, not far from Hartford, Connecticut. Shade-grown
tobacco. It’s called “stoop labor” by advocates of migrant work-
ers’ rights.
Then Alejandro got a job at a food-packing plant in Hartford.
“I worked the train,” he says. “A hundred thousand bushels a
day sometimes. All packed in ice on a train. It comes in and we
unload it. We rinse it, bit by bit, every bushel. We repack it, and
then, you know, they sell it.”
Before the hundred thousand bushels of broccoli or spinach
get to the supermarket, someone has had to plant, tend, harvest,
wash, and pack them. Alejandro used to be one of the workers, a
community of men without women, living in barracks, traveling
in buses, eating together, telling stories, making the loneliness of
their lives more bearable. All day every day in the field, like all
the other workers, he was exposed to the toxic chemicals used on
factory farms: pesticides, fungicides, fertilizers. When I ask him if
he knows what chemicals he was exposed to during the years he
worked in agriculture, he says no. Sometimes the workers were
provided with running water to wash their hands before eating
lunch in the fields, sometimes not.
Alejandro worked at the far end of our food supply, the invis-
ible end. Americans expect apples and tomatoes without blem-
ishes, long perfect spears of bright green asparagus. This means
that 85 percent of our fruits and vegetables must be tended by
hand.
Before the end of the day, I will hear several more men with
gardens at La Finquita describe their former lives as migrant
workers—Heriberto Santiago, Israel Rivera, and Juan Lopez. I
will hear them describe with pride how hard they worked, and
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I’ll learn about the contractors who recruited them from Puerto
Rico. And the buses that took them back and forth between
the fields and the barracks. The long hours, the short breaks, the
exhaustion and danger and loneliness. And the bitter irony of
their poverty and hunger: What does it say about our society that
the people who grow our food are too poor to feed their own
families?
In their gardens, listening to their stories, I will begin to learn
the human cost of food. I will hear how, in the gardens of Nues-
tras Raíces, for the first time since they came to the United States,
the fruit of their labor belongs to them.
On the clear summer morning when I arrive at his garden,
Alejandro is planting beans. I must bow to pass under the lintel
of his narrow gate, part of an enclosure constructed of wood and
chicken wire. The fences of La Finquita are more symbolic than
practical—it would take little physical effort to force your way
through them. But no one does. All the symbolic marking-out of
portions of public land for private use are respected.
Standing astride a long clear patch of dirt he has raked
smooth, Alejandro leans down and makes a trough with a piece
of wood, then drops shining white beans, chicharos, into the dark wet earth. They soon look like a row of giant’s teeth. “Ev-
erybody plant different, you know?” he says. “Somebody make a
hole, put in one bean, two beans. I put a line in.”
As we talk, Alejandro continues to plant seeds drawn from a
yellow plastic butter container with a shallow layer of fine black
silt and water in the bottom.
“Alejandro,” I ask, “what are you going to do with all these
beans?”
“Give them away.” He laughs, throwing his hands up, shrug-
ging. What else? “This was all beans before.” He swivels right,
then left, his arm extended. “These beans, they grow like that.”
He pats a space three feet off the ground to show me how tall
they get. “They’re beautiful.”
Alejandro has already harvested his first crop of the summer
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and given nearly all of them away. He loves to eat them with rice
and chicken and the traditional Puerto Rican salsa known as so-
frito. Now that Nuestras Raíces, with the help of the University
of Massachusetts Agricultural Extension Service, has imported
the seeds of aji dulce, “sweet pepper,” the main ingredient for sofrito, he can make his own from everything he grows right
here—tomatoes, onions, cilantro, and peppers.
In Alejandro’s ten-by-twenty-five-foot plot, there is no room
for weeds or waste. We are surrounded by fresh, safe food—
vegetables, herbs, and fruit—in every stage of new growth and
dieback. Though Alejandro can’t grow the mangoes and sugar-
cane, the pineapples, bananas, and coffee of his childhood home
in Puerto Rico, he has acquired a taste for the broccoli and egg-
plants maturing around us, and like his garden neighbors here
at La Finquita, he grows his own strawberries and shares in the
communal harvest of blueberries.
Several varieties of peppers and tomatoes hang thick and
heavy down well-staked rows. At the end of one long row of
newly sprouted seedlings, a specimen of cilantro has been al-
lowed to go to seed. It stands tall and erect, covered with small
round seedpods that look as if they’re made of gold. Bright or-
ange and yellow marigolds mark the corners near the gate. Pea
vines have woven themselves through the wide squares of the
fence that faces the long aisle between the plots, softening the
lines of chicken wire with delicate curves and curling leaves.
“Aji dulce?” I ask, pointing to a row of shining red chilies shaped like acorn lanterns, ripe and ready for picking among stout
green foliage. The sweet peppers have been planted among the
hot and the bland, habaneros and cubanelles.
“Yes, aji,” Alejandro says, smiling, surprised that I know. “What was that?” I ask of a row where nothing but thick dark
leaves of basal foliage remains.
“Cauliflower,” he says. Once he had harvested enough for his
own needs, he gave the rest away.
Alejandro was one of the first gardeners to sign up for a plot
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at La Finq, as the gardeners call it. He knows everyone here, and
he remembers the history of the place.
“Before Finquita, this was church property,” he says. “It burn
down. When they started the garden, one sister, you know, sister
for the church, she stay in this house.” He points across the gar-
dens and past the parking lot. “She make a garden.” Now La Fin-
quita is home to more than thirty gardeners and their families.
“I get over here at seven-thirty in the morning, sometimes
seven, every day,” Alejandro says. “Then at night, six or seven,
I put the water. It makes me happy.” For many hours a day, every
day, all summer, in the intense heat and humidity, he comes here
to garden. When I ask if he thinks of Puerto Rico when he’s work-
ing here, he answers with a shower of yeses. “Ah, yes yes yes yes
yes,” he says, radiant. Then he reels off the Spanish names of all
the plants that make him think of home.
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From the time Spain claimed Puerto Rico as a colony in the six-
teenth century through today, this Caribbean island—the small-
est of the Greater Antilles—has never been sovereign and free.
Puerto Rican citizenship is not internationally recognized.
Since 1898, when the United States won control over the is-
land at the close of the Spanish American War, Puerto Ricans
have lived under the American flag without the full rights of citi-
zenship. Though the shape of their land and their lives has been
determined by American trade and agricultural policies, Puerto
Ricans who maintain legal residence in their homeland have little
voice in determining their own fate. They have one nonvoting
representative in the U.S. Congress and do not have the right to
vote in federal elections. Only if they leave their homeland and
establish residency in the United States can they claim the full
rights and privileges of a citizen—but not of their native land.
Under Spanish rule, the wealth extracted from Puerto Rico
(which means “rich port”) was gold and then, when there was no
more gold, coffee. Under American rule, sugar replaced coffee, as
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investors from the United States bought up vast tracts of land
on the coast for plantations. Enjoying years of special tax breaks
in addition to a ready supply of low-wage workers who did not
have the protection of the labor laws that shielded U.S. citizens,
American companies grew wealthy while our government im-
posed strict trade policies on the island and did little to improve
the quality of the natives’ lives. When the American govern-
ment banned the export of coffee, rural subsistence farmers were
driven from their small farms, where the cultivation of shade-
grown coffee had never precluded growing the food their families
depended on. Without this cash crop, they could no longer live
off the land, and without access to land, they could no longer
feed their families. Drawn from the land into a wage economy,
they crowded into urban slums and fell into poverty and hunger.
By the 1940s, after fifty years of American rule, Puerto Ricans
had one of the highest infant mortality rates and one of the low-
est per capita annual incomes in the world.
As industry boomed in postwar America, a mass migration
from the island began. By 1960, 400,000 Puerto Ricans—nearly
a fifth of the island’s population—had emigrated to the mainland,
many recruited by agricultural employers who paid their way.
South Holyoke, Massachusetts, became a destination for
these immigrants because of its high number of housing vacan-
cies, low rents, and proximity to farm and factory jobs. Seventy-
five percent of the population of downtown Holyoke is now
Puerto Rican. Most over the age of thirty were born in Puerto
Rico, and many of the elders used to be agricultural workers and
have had only a few years of schooling. The unemployment rate
for Puerto Ricans in Holyoke hovers above 25 percent. The sta-
tistics for substance abuse and teenage pregnancy are four times
the state average. Close to three quarters of the community’s
children live in poverty. There are no large supermarkets within
walking distance of downtown South Holyoke, where, as Daniel
Ross, the director of Nuestras Raíces tells me, half the city’s
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available housing has either burned down or been condemned
since 1970.
The meaning of the gardens of Nuestras Raíces has many lay-
ers. It begins with Puerto Rico’s history as an ecological treasure-
house pillaged by foreigners. Next there is the history of Holyoke
as a nineteenth-century industrial town built on the labor of suc-
cessive waves of immigrants. Finally there is the story of what the
gardeners of Nuestras Raíces have created here.
“Ecology is the science of communities,” Aldo Leopold said
in an address to the Conservation Committee of the Garden Club
of America in 1947. “And the ecological conscience is therefore
the ethics of community life.” In their organic gardens, created
from vacant lots they do not own, a disenfranchised, landless
population teaches the wealthiest nation in the world what a
restorative urban ecology can look like.
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“From the beginning, our dream was to build a greenhouse. We
wanted to create something that was sustainable for the organi-
zation, not something we’d always have to write grants for. We
wanted to generate income and self-sufficiency—business oppor-
tunities, jobs, microenterprises.”
Daniel Ross has been called “the Michael Jordan of commu-
nity organizing.” He has guided Nuestras Raíces from its early
years, when there was only one garden, La Finquita, and few
resources, to what it is now—a small complex called El Centro
Agrícola, which includes two renovated buildings, a greenhouse,
a restaurant, a bilingual library and computer room, a commu-
nity kitchen, a plaza, and soon a working organic farm on four
acres bordering the Connecticut River. With a greenhouse, the
group is able to propagate its own plants from seed.
“In the early spring, every bit of usable space in here is dedi-
cated to growing seedlings we sell to our community gardeners
and at the farmers’ market. Last year we grew tomatoes, pep-
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pers and eggplants,” Daniel explains. The group’s specialty is aji dulce. Until it was introduced here, this variety of sweet pepper had never been grown in the United States. The first year they
grew starter plants from seed in their greenhouse, they sold five
thousand seedlings in a matter of days.
Daniel was a fairly recent graduate of Oberlin College when
he was hired as Nuestras Raíces’ first director, but he had already
had years of experience working for migrant farmworkers’ rights.
Born to Puerto Rican parents who immigrated to New York City
and then to Massachusetts, where he was raised from the time
he was seven, he knows how to move between cultures in a
small New England city where a well-educated, politically astute
Puerto Rican challenges persistent racist stereotypes.
“Most people here in South Holyoke grew up on farms,” he
explains. “Many of them first came here as migrant farmwork-
ers. The gardens are a way for the residents of Holyoke to put
down roots here while maintaining the heritage and traditions of
Puerto Rico. They’re also a way for the elders to pass knowledge
and traditions to a new generation.
“About five years ago, two of our elders and board members,
Francisco Ortiz and Eusavio Ibera, started our youth gardeners
program. On the first day, Francisco held out a handful of seeds
and said, ‘We’re going to plant these seeds, and pretty soon
tomato plants are going to grow. And then later this summer
we’re going to be able to pick tomatoes and eat them.’ The kids
didn’t believe him. One of them even called him a liar. ‘Tomatoes
don’t grow from seeds. Tomatoes come from the supermarket.’
You’ve never seen kids so proud as they were six months later,
picking their first tomatoes. It was amazing. They loved it. Fran-
cisco Ortiz was real proud, too.
“Now we work with over a thousand kids all over the city. We
have one plot set aside for the kids in each of our community gar-
dens. We work with after-school programs in all the neighbor-
hoods. We involve them in projects and take them on field trips.
We provide them with work during the summer.”
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A hundred families are part of the community gardens, each
branching out to reach hundreds more, sharing food in the inner
city, where there is no other source of fresh, organically grown
produce.
Nuestras Raíces comprises eight gardens. Jardín la Finquita,
Little Farm, is the oldest. Then there are Jardín Girasol, Sun-
flower Garden; Jardín de Piedra, Garden of the Rock; Jardín Ciu-
dad Verde, Green City; Jardín Comunitario Jarvis Heights; the
Boys and Girls Club Garden; the John J. Lynch School Garden,
and the newest of the gardens, CuentaConMigo, Count on Me.
The first garden, La Finquita, came into being in the summer
of 1991, when Seth Williams, a student from Hampshire Col-
lege in nearby Amherst, began working with the residents of the
neighborhood of South Holyoke to create a community garden
as part of his interdisciplinary final project. Fluent in Spanish,
Seth had worked with other Latino communities as a volunteer.
La Finquita was the first project for which he assumed complete
responsibility.
With a few members of the community, Seth organized the
cleanup of a lot near the center of town. Raised several feet above
the street, La Finquita was created on the site where Precious
Blood Church, which had a long history in the immigrant com-
munity of South Holyoke, had once stood. Two buildings affili-
ated with the old Roman Catholic parish still stand—Broderick
House, a beautiful old brick building that serves as a homeless
shelter and has its own plot in the garden, and the old rectory,
which houses a soup kitchen.
Led by Seth Williams, the “pioneers,” as Daniel calls them,
pulled bricks, trash, and hypodermic needles out of the soil. On
one of the hottest days of the summer of 1991, Seth and a hand-
ful of men from the community used picks and shovels to dig a
trench a hundred and fifty feet long and three feet deep so they
could run a water pipe from the main pipe in the basement of
Broderick House to the site. When the plumber who generously
donated his time tried to connect the new pipe to the old plumb-
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ing, one of the original pipes burst, flooding the basement. When
he couldn’t turn off the aged, rusted valve, the water company
had to send out a crew to resolve the crisis. Seth was handed a bill
for several hundred dollars. His credibility—and the fate of the
garden—hung on the good will of the Diocese of Springfield,
which owned the land and the flooded building, and the people
in charge at the water company, who finally canceled most of
the bill.
Organizing this garden was Seth’s education in the ethnic pol-
itics of South Holyoke. At every turn, he knew that it was his sta-
tus as a white college kid that helped win support. What he most
feared was that after he left, no one would come forward to pro-
vide leadership and the garden, like so many other well-meant
projects, would fail. It had to become a true grassroots organiza-
tion to survive.
Before leaving the area in 1992, Seth helped establish a board
of directors that included members of the Latino community as
well as several people from outside Holyoke. They worked to-
gether through 1993, managing La Finquita and working toward
the goal of owning their own greenhouse. In 1994, just as they
were gaining momentum, it was discovered that the president of
the board had embezzled all of the organization’s funds. Thirty
thousand dollars was missing. It became a citywide scandal.
At that point, board members from outside Holyoke slipped
away. “So it was left to some of the gardeners, Francisco Ortiz
and Eusevio Ibera,” Daniel says, “to step up to join the board of
directors.”
In 1995, through a small grant, Daniel was hired. “I made it
my focus to rebuild our credibility from the bottom up,” he ex-
plains. “That meant doing a lot of outreach work with the gar-
deners at La Finquita, building our membership base through
developing new gardens.”
To prospect for good garden sites, Daniel, Francisco, and Eu-
sevio went out to visit available lots. Did they get enough light?
Was there a nearby source of water? How visible were the lots?
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Once they had selected good sites, they contacted the owners to
work out a rental agreement. Then they put up a fence, built a ca- sita for garden tools, hoses, and wheelbarrows, and began mea- suring out plots. People would stop and ask questions. Word got
around.
Once people started digging and putting their plants in,
Daniel says, the ones he calls the “nay-sayers,” the ones who
were sure it couldn’t work, began to come by to ask if they could
have a plot too. “That’s the moment that’s most important for
us. Because people here have heard so many promises. You know,
officials from government agencies that are supposed to be help-
ing them, professors from universities who are doing studies.
They’ve heard it all. And there have been so many years of dis-
placement, disenfranchisement. You know, buildings being de-
molished, people getting kicked off welfare. They don’t believe in
their own power. They don’t believe that anybody can do any-
thing. So showing a community that they can work together and
make a difference—having it be so visible and so real, you know
—even edible—that’s the most important outcome of our work. “That’s why I do it. To see that change in people’s minds. And
it’s big—that’s big,” Daniel says again. “And we’ve done it in ev- ery neighborhood across the city.”
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“When I started working here, I didn’t see how important a
garden could be,” Hilda Colon says as we sit eating lunch in
Mi Plaza, the restaurant affiliated with Nuestras Raíces. She is
young, smart, motivated, and beautiful, a single mother and a
passionate convert to community gardening. “It’s amazing how
much you can accomplish with a community garden, the impact
it can have on the people in a community. Community gardening
is powerful. It brings people together. It preserves the earth, it
preserves good healthy nutrition, it preserves so many things—
friends, families, cultures, values, traditions.”
For seven years Hilda worked for Nueva Esperanza, a com-
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munity service organization, trying to address the problem of
teenage pregnancy in the inner city. Seeing the same problems
over and over again, she found it hard to feel she was making
any difference. A divorced mother of three, she realized she was
burning out. So she came to Nuestras Raíces to work as one of
the office managers, thinking she’d try something different for
a while. She wanted to feel less exhausted and discouraged. But
when she saw how few women and girls were involved, she
couldn’t help herself.
“I guess when you have a calling, it’s kind of hard to stay
away from it,” she says, laughing. “Nuestras Raíces started with
men, so it attracted more men than women. I needed to have
more women involved, so I developed a girls’ program. Soon
after that I started encouraging the women gardeners to get
involved with the girls, to help teach them how to plant the
gardens. Then the women saw the need to meet by themselves.
That’s how the women’s program started. We renamed the
women’s program this summer. Now they’re called Raíces Latina.
“In Puerto Rico, whatever we use in the sofrito, we would
grow at our own house. We did all our own cooking and can-
ning.” Through their kitchen gardens, through canning, drying,
and cooking food, the women had always passed on their her-
itage. But when they came to the mainland United States, most
entered the wage economy. Unless they had learned good En-
glish, they could find only minimum-wage jobs, and once they
began to have babies, they couldn’t keep their jobs—day care
was nonexistent or too expensive. Living in the inner city with-
out access to land, they lost the direct link between the garden
and the family table.
“Here,” Hilda says, “it’s funny how much the girls didn’t
know. You know, I figured, they go to school, they study science.
So on the first day I said, ‘Okay, we’re going to plant lettuce and
we’re going to plant tomatoes.’ ‘Really?’ they said. ‘They could
grow here?’ I said, ‘In a few weeks, you will see.’ Then I said,
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‘You know, if you take care of a plant, you’ll see how much food
you will get from it.’ So when they saw the tomatoes, peppers,
and beans that grew from the seeds they planted, they were just
so happy.”
What the founding male elders did for the boys in the gardens,
Hilda has done for the girls and women. In the gardens, the girls
and the women who guide them reclaim a vital part of their com-
munal structure, passing down knowledge from one generation
to another. “Even though the program was supposed to be for
girls from six to twelve years old,” Hilda explains, “the girls are
now fourteen, fifteen years old, and they’re still here. ‘I want to
do more,’ they say. ‘I could be a leader. I could teach the others.
But please, I don’t want to leave the program.’ Now every time
they see a vacant lot, they say, ‘That’s a big space—can we turn
that into a garden?’” Under Hilda’s leadership, the garden has introduced the girls
to a new relationship to South Holyoke. They have learned how
to see—they have learned that what lies under the buildings and
sidewalks and paved streets of this city and what is visible be-
tween the burned-out tenements is not dead blank space but dirt
—soil—the medium of life. The real ground of their existence
has become visible to them.
The girls of Raíces Latina can now imagine affecting the land-
scape of this urban center by turning empty lots into gardens.
They have the knowledge, the skill, the desire, and now the power
to affect the place where they live. The politics of urban space—
the very idea of “real estate,” the tension between public and pri-
vate space—has been transformed for them through the simple
act of learning how to plant seeds and grow their own food.
The women who are their mentors have also been profoundly
changed by the discovery that gardening has the power to
awaken their imagination and will. “As the women elders grew
in number,” Hilda says, “they also grew in ideas. They started
getting more involved. Some became garden coordinators. One
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was the greenhouse coordinator for a while. One became presi-
dent of the Nuestras Raíces board, and another is on the charter
school board. I am really proud of them.”
Nuestras Raíces, under Daniel Ross’s leadership, offers its
members training in participatory democracy, in the discipline of
self-government and the building of consensus. Hilda has made
sure this experience is extended to girls and women.
“That’s one of the things that keeps me going—that I was
able to bring women into Nuestras Raíces,” she says, “and see
their growth, see them decide to become self-sufficient. You know,
the older women didn’t get very far in school. Many of them are
unemployed. Now they want to learn how to run a business. I tell
them it’s never too late to start. They don’t want it just for them-
selves. They’re thinking about their families, their community.
How can they better themselves? It’s unique, how through gar-
dening they’ve been able to grow in all aspects of a woman’s life.
It’s powerful that just by coming here to meet with these girls, we
grew to become something else.”
When I ask Hilda why she came to the United States, her an-
swer surprises me. “I never wanted to,” she says emphatically.
“But my mom wanted to give us more opportunities in life. She
felt she had to come here to do that. It wasn’t my choice. If it had
been my choice, I would have stayed in Puerto Rico. I wanted to
be a pediatrician. I had the grades and everything, but my mom
was always sick. She didn’t want us to go away for school. My
mother didn’t really care for me to move forward. She just
wanted me to go to work. When she saw how freely people lived
over here, it scared the heck out of her. In so many ways, she was
afraid we were just going to get lost in the world. That’s the
wording she used: ‘I don’t want you to get lost.’
“The women in the program have lived here long enough to
see that you really need to educate yourself in order to be some-
body, to have a good income and a good life. More and more
they advocate for girls not to depend on men. Some of the
women have been so abused. ‘You know what?’ they say to the
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204
girls. ‘You need to learn, you need to study, you need to do some-
thing with your life, because you don’t want to be depending on
a man that’s going to kick your ass and you’ll have to take it be-
cause you’re not educated and you have nowhere to go.’ I see the
passion in them, trying to get the girls up to the next level. Even
though they’re not related, the girls are their children too. In
Puerto Rico we take care of each other’s kids. My children were
not only my children, they were the whole block’s children. I see
that in the women’s group. ‘You’re not only a participant here,
you’re my daughter too. I want to mentor you, I want to take
care of you, I want to advise you.’ You see that passion.
“In Puerto Rico, having a garden is about growing your own
food,” Hilda says. “Here it’s not only about food. It’s your way
out of your apartment if you don’t have your own house. It’s a
stress reliever. And it’s a way of screaming out, ‘I want to keep
my culture. I want to give this tradition to my children and leave
them with this gift, this pride.’ When you talk to the elders, you
see the pride in their eyes.”
To garden is to be drawn out of isolation. For the women, to
teach girls how to garden is to reclaim an aspect of their role as
esteemed elders.
I ask Hilda if she can remember when she first understood
what the gardens of Nuestras Raíces are about. She knows pre-
cisely which moment it was.
“I went to the garden and took my shoes off. I touched the
ground, I started planting for the first time. I remembered how in
Puerto Rico I would walk around barefoot. And I started think-
ing, ‘Well, no wonder these people enjoy this so much.’”
In the inner city, where else could you do this? You lose con-
tact with the earth.
“At Finquita,” Hilda says, her voice softening with affection,
“you can sit down with the trees, and you can see all the beauty.”
For Hilda, to sit down with the trees suggests a visit, as if with
intimate friends or kin. To sit down with the trees, to rest from
gardening and look at what the community has created there,
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releases the flow of memory, returning her to the feel of her na-
tive soil beneath her feet and offering her a new, more promising
place in America.
f
Daniel Ross appears beside the table where Hilda and I are sit-
ting, talking. It is market day, and he invites me to drive with him
from garden to garden as he picks up produce.
In the middle of CuentaConMigo’s fifteen gardens, Edwin Ve-
lasquez has laid his plants out in an intricate grid, with long rows
of chilies several inches high alternating with seedlings. Daniel
pours seeds into a tiny plastic cup, then reaches out to Edwin,
who leans across a row of cilantro to receive it. “Slo Bolt Let-
tuce,” it says on the package. There are enough seeds in Edwin’s
hand to put fresh greens on his family’s table for the next four
months.
“I love it here,” he says. “I don’t have to buy anything now.
I got my lettuce, my cilantro, my peppers, my tomatoes. Every-
thing’s expensive in the store now. You plant, you don’t have to
buy. I got a wife and five kids.”
Daniel estimates that one garden plot can save a family a
thousand dollars in food in one season. Edwin has at least three
under cultivation. He came from Puerto Rico in 1975 and found
factory work in New York and Rhode Island before he settled in
South Holyoke. “Now I’m working for demolition,” he explains.
“They knock the building down, we clean the bricks.
“Every year I have gardens. I got one in Jardín de Piedra in
my name, I got one in Jarvis Heights in my daughter’s name. And
Nuestras Raíces lent me eighty dollars for plants and seeds, so
whatever I get here, I got to sell, to pay them back.
“Excuse me,” he says, turning from me to Daniel. “What you
selling these for there?” He holds up a fat bunch of freshly picked
cilantro.
“What do you want to sell them for?” Daniel asks him. “A
dollar fifty? A dollar?”
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“A dollar.”
“Okay, a dollar.”
“Yeah,” Edwin says, grinning. “Make everybody happy.”
It’s a small but significant moment in the working of a local
economy where every participant has a say.
Once Edwin has filled two boxes to overflowing, he leans over
the fence of stakes and white twine to surprise me with a bouquet
of cilantro. “For you to take home,” he says, smiling.
I hold it with both hands and smell it, my eyes closed, the cool
leaves against my face. When I am home, standing at the counter
cutting up this cilantro for supper, I will know exactly who grew
it, where, and when. I will see Edwin’s face, radiant, and feel the
strength of his generosity to me. I will remember the dark earth
between the evenly spaced plants of his beautiful garden, how
the herbs are sown in generations. I will savor the welcome this
gift signifies, the gesture of acceptance Edwin offered me. I am
the stranger here; for Edwin, this is an extension of home. When
the gift becomes part of my evening meal, the ancient rite of gift-
giving, the sharing of food to establish community, has been
restored.
f
CuentaConMigo is the newest of the community gardens. The
woman who made it possible was part of Hilda Colon’s pro-
gram.
“I have pictures of what this place was before,” says Julia
Rivera, whose idea it was to put a garden at the end of West
Street Alley. “You should have seen it. Now people are here all
the time, keeping it clean. Everybody has put their heart into
these gardens.
“You see that garden for the 4H club?” she says, pointing to
the far corner. “That’s for the little kids in my program. They’re
learning to take care of plants. They come here every afternoon.
You see that corn over there? One of the kids started that from
seed in the community room. ‘That’s my corn,’ he says. ‘That’s
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my tree,’ he says. He’s so proud of that corn.” A row of tasseled corn six feet tall stands near the chain-link fence.
“I’ve seen how giving people something to do makes them
change their mind about living in this place. We have a lot of
problems with drugs and gangs. This is something different. The
kids have the time to learn and play at the same time. They see
the benefit that Mother Nature gives us. And then they’re going
to bring tomatoes and lettuce into the house. It will help them
economically. Some of these people live on welfare. Here they
have something for free. And they love it, they really love it.”
The children have been given a portion of the garden along
the fence facing the street, and each of them has marked his or
her small part of it. welcome to my garden, a sign buried deep in cilantro says. Nearby, a pair of pinwheels, one red, one
blue, raise spinning faces above mounds of marigolds; a butterfly
made of white and yellow netting seems to hover above a bed of
ruffled lettuce. Someone has filled a white plaster swan with red
penstemon. A plaster cupid emerges from a mound of green. The
children have planted bright flowers all around it—yellow snap-
dragons, pink begonias, deep red geraniums, bronze coleus, mul-
ticolored pansies, yellow marigolds, and striped petunias. The
path through their fairyland of lettuce and angels, through the
inspired chaos of bright whirligigs and deep green herbs, mean-
ders. So many things in this brick city are hard, forced to go in
straight lines. Here the children can make the roads go any way
they want.
“You know, this is my first garden in the United States,” Julia
says. “My mother didn’t know how to read, but she knew a lot
about the garden. She used to tell me, ‘When you plant some-
thing, you put part of your life in it. You should give love to your
plants. They give back to you.’ So when I was making this gar-
den, it reminded me of her. In Puerto Rico we have just a little
space. But even if it was just an empty can, my mother would
plant something in it. Because in PR, you know, people used
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to live on what they have out of the farm. That used to be all
we had.
“Some of these kids, they’ve never planted anything before.
But now they begin to see the idea my mother taught me—that
once they’ve planted something, it will give back to them. The
other day my kids were eating broccoli with dinner and they
looked up at me and said, ‘Mommy, we planted this.’ And I said,
‘Yes, we planted that.’ Teaching my kids something that I learned
when I was a little girl in Puerto Rico is amazing.
“I ask everybody, ‘Can you come see my garden?’” Julia says
as we walk toward the gate, where Daniel and Edwin have
finished loading the van. “One of the tenants, she’s my assistant,
I got her to come too. And now every time she sees something she
planted come up, she says, ‘Aiyee! I have peas! I have tomatoes!’
Yesterday she was crying here. She said to me, ‘I plant this. This
is mine. I never plant anything before. This is so beautiful, I love
it.’ So even though this is part of my job, it’s part of my soul, too.
I have faith in this place.”
f
“You can use your imagination,” Daniel said when I first visited,
three years ago, as we stood in middle of a large room with tall
ceilings and big glass windows across the front, where volunteer
workers were installing the front door. “This is going to be the
dining room of the restaurant.”
We walked outside and stood in a bare courtyard surrounded
by a sturdy chain-link fence. “There’s going to be a fountain
here.” Daniel pointed to a crescent of rocks on the ground beside
the greenhouse, which was attached to the little stucco building
that houses the Nuestras Raíces offices. “We’ll have planters
there,” he said, turning slowly to describe an arc from the Cabot
Street side around to Main. “It will be full of species native to
Puerto Rico, things that can survive the New England climate.
And in that corner,” he said, turning to face the brick building
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209
with the hand-painted sign, centro de agrícola de nues- tras raíces, “some banana trees, bamboo, and sugarcane. And this will be seating space for the restaurant. People will come
right out that door there.
“You know,” Daniel said, “when Holyoke was a booming in-
dustrial town in the nineteen hundreds, this was all hotels and
horses and buggies and trolleys coming and going. This was one
of the hottest corners in America.”
The clock tower Alejandro invoked to measure the distance
he covered while stooped over to harvest crops is visible from all
over town, including the corner of Cabot and Main, where
Daniel turned from asking me to imagine the future to contem-
plating the past. Its four faces were originally meant to measure
time owned by the mills. The workers’ lives were ruled by that
clock. Who built it? The same men who had made their fortunes
from the textile mills of Lawrence and Lowell, Massachusetts.
Constance Green tells the story in her 1968 book, Holyoke, Mas- sachusetts: A Case History of the Industrial Revolution. In 1847 the men came from Boston to buy a thousand acres along the
great curve in the Connecticut River, hoping for another windfall
once they’d harnessed the power of a sixty-foot drop in the water
level at Hadley Falls. But unlike Lawrence and Lowell, Holyoke
was a planned city. In fact, Holyoke was the most important
planned manufacturing center in New England.
When the investors calling themselves the Hadley Falls Com-
pany met with local resistance to their plan to buy up all the land
and displace a Yankee community already disrupted by the shift
from agriculture to industry, they recruited a local man to act as
their agent. Once they had secured the land in the company’s
name, they mapped out a grid of tenement housing around a sys-
tem of dams and canals, which would use the power of the river
to drive the huge mills. As in the more established industrial cen-
ters just outside Boston, local women, the daughters of Yankee
farmers, were replaced at the looms by the first wave of immi-
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210
grants. In Holyoke, those were usually Irish families fleeing the
potato famine.
Irish construction workers built the dams and canals, and
Irish immigrants first worked in the factories. Many chose not to
live in company housing, the three- to five-floor tenements that
still stand, now boarded up and burned out. They built window-
less shanties over holes dug in the earth until they could afford
something more habitable. Within a decade, the Irish established
their own parish churches and parochial schools, taking refuge
from Yankee contempt in a well-defended enclave.
Though religion and class were powerful barriers to accep-
tance for the Irish immigrants of the mid-nineteenth century,
knowing English made their transition to work and life in Amer-
ica far easier and faster than it was for the groups who came af-
ter them—first the French Canadians, then the Poles, all Catholic
as well, and finally the Germans, who established the first immi-
grant Protestant enclaves, building Lutheran churches and keep-
ing separate from both the native Protestants and the ethnic
Catholics. German immigrants tended to be highly skilled indus-
trial workers and moved into positions with better pay faster
than any other immigrant groups. They were also more politi-
cally active. It was German Socialists who led the first successful
strikes among millworkers.
When a recession undermined the plans of the Hadley Falls
investors before all of the fifty-four mills in the original plan
could be built, the Holyoke Water Power Company bought them
out. The coming of the Civil War a few years later stimulated
new growth in the economy, and the new mill owners, local in-
vestors, diversified quickly. They sold water rights and encour-
aged local businesses that would require their products, thus
creating a more interdependent economy. Still, the economy was
predicated on two kinds of exploitable resources: water and im-
migrant labor.
Holyoke became famous for the production of thread, silk,
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211
cotton, woolens, and paper. At one point, over a hundred mills
were in operation twenty-four hours a day, seven days a week.
By the 1880s the city became the largest producer of paper in
the world, earning itself the name it was known by well into the
twentieth century: Paper City.
In the first decades of the 1900s, when eastern and southern
European immigrants came to Holyoke in large numbers, the
city was named the third worst in America because of the crowd-
ing and disease in its tenements. With the development of steam
and electrically powered engines, however, it lost the advantage
of its location on the Connecticut River. Through the twenties
and thirties, the city’s economy weakened, with only a few of the
big textile mills remaining open. By the late fifties and early six-
ties, when the Puerto Ricans began arriving in significant num-
bers, they were the only immigrant group to face a city in decline.
And only the Puerto Rican ethnic community revitalized the
inner city of South Holyoke by building on their agrarian her-
itage, creating a small-scale, sustainable economy based on or-
ganic gardening.
f
Late on the summer afternoon when Daniel and I went from
garden to garden collecting produce for the farmers’ market, I
walked back to the original garden, La Finquita, to rest. The path
down the center of the gardens has one small branch to the
right, which leads to a grassy spot where a picnic table and two
benches sit in the shade of a pair of maples. Red, blue, white, and
yellow stripes spiral up the base of each tree, giving the quiet
grove a festive look. A casita for tools and wheelbarrows has been painted midnight blue with deep yellow trim.
Up on this rise, I choose a bench and sit down. It’s cool under
the maples. The gardens are quiet and empty.
A man on a motorcycle races his engine, waiting for the light
to change. Sirens wail in the distance. But here, near the gardens,
a calm has settled. Pea flowers have opened in the afternoon
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sun, unfurling ruffled petals on the twining bright green vines.
The gardens are planted thick and neat. It really does feel like a
small farm.
Here and there a rake or a hoe has been left lying between the
rows. Each marks a pause. The gardener will soon come back,
lean down, take it up again, and continue to work. As I study the
long avenue of garden plots, each with a tool carefully laid beside
the row where someone left off to go home and eat and rest
awhile from the intense sun, a question comes to me: Why are
gardens so often presented to us with the fact of human work
erased?
This morning, after I met Alejandro and before Daniel took
me to see the gardens, I sat here on this bench asking some of the
elders about their experience as migrant farmworkers. Candido
Nieves, a thirteen-year-old member of the boys’ group known as
Protectores de la Tierra, Protectors of the Earth, sat beside me,
translating.
The rows stretched from here to the clock tower. Alejandro said it first, when he tried to explain how far he had to go,
stooped over, picking asparagus. Later Juan Lopez, Israel Rivera,
and Heriberto Santiago all said the same thing. “Big big big
farm,” Israel said. The rows of onions, or mushrooms, or straw-
berries, went from here to that clock over there on the hill. The
rows of cucumbers were so long that when they looked up, they
could not see the sun.
Heriberto then got down on the ground, kneeling on the
cool grass under the painted trees of La Finquita, and smiled
with pride, miming how deftly he pulled back leaves with one
hand and cut the stems with the other, shuffling forward the
length of a row on knees and shins, left, right, swipe, swipe,
shuffle, shuffle. He drew the curved blade of the knife he’d
brought with him from Puerto Rico in the air. He couldn’t find
one like it here.
‘You worked like that all day?’ I asked through Candido.
Yes, for hours at a time.
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Inching forward on his knees, as in some penitential rite of the
pilgrim. Now I understood how Heriberto could not see the sun.
Once Juan, Israel, and Heriberto left, I packed up my things
and followed Candido back into the gardens.
“Now will you show me your favorite part of the garden?” I
asked as we turned into the broad aisle that runs down the center.
It was hot and still, and Candido moved slowly. He kept walking,
as if he had not heard me. But then he stopped and turned.
“I like this part, because you see flowers, white flowers, every-
where,” he said. “They’re from the beans growing up the fence.”
He put one large hand behind a leaf and lifted it gently so I could
see the blossoms and the light shining through the intricate pat-
tern of white lines on the sharply cut leaves. “This is where the
fruit comes from, the bean. It comes from the flower. I like the
color in the leaves. The white lines on the green. How it matches
the white flowers and green stems. I like how the flowers are
formed. They’re like a little animal here. A little elephant, they
look like. And the shape on the leaf is like an insect, like cam-
ouflage. It looks like a little kite right there. A butterfly too.”
Candido is very tall. To look this closely at a leaf or a small
white flower, he must stoop over the trailing vine. I looked with
him, leaning into the leaves to see the opening flowers where his
imagination, still capable of wonder, finds an elephant, an insect,
a butterfly, a kite.
“I like walking here,” he said quietly. “It’s like a forest.”
The word sounded formal, as if Candido were describing an
august place, one best approached with the blend of awe and de-
sire I heard in his voice.
“When did you learn that the flower forms the pea?”
Seven years ago, when he joined La Finquita. “It was my first
time gardening here. We planted our own garden,” he explained.
Seven summers of gardening, learning from the elders how to
plant seeds, how to water, what to weed, and when to harvest.
“Look at those squirrels trying to eat,” Candido said, smiling
as we passed through the gate. “Look at the colors of the pep-
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pers,” he added, at ease, gesturing toward the last garden plot on
the end.
“What do you think you want to do when you finish high
school?” I asked him as we stood at the corner of Cabot and
Main, waiting for the light to change so we could cross back to
the Nuestras Raíces office.
“I want to go to a culinary school,” he said. We turned at
the same moment, as people will who walk side by side, and
Candido smiled as he said to me, “That’s what I’m practicing in
school now. I want to be a chef.” An eighteen-wheeler lumbers
by. “I’ll probably work there,” he said, nodding toward Mi
Plaza, the community restaurant in the renovated building beside
the Nuestra Raíces greenhouse.
f
“What’s unique and effective about Nuestras Raíces?” Daniel
says in our last few minutes before I leave. “Here’s how I would
put it. A youth worker and an elder start aji dulce seeds in the greenhouse. When those little seedlings grow big enough, they
get sold to one of the community gardeners here or at the farm-
ers’ market. Then in August the pepper is harvested and sold to
somebody in the community kitchen, who produces sofrito. That
sofrito is then sold to the restaurant owner, who uses it in his
cooking and sells it to the public. This summer we’re going to
complete the circle by composting some of the food waste from
the restaurant. Then we’ll mix the compost into the soil of the
gardens and the greenhouse. So what we’re doing at its most ba-
sic level is recreating a healthy community and economy. We’re
building it from scratch because it’s been lost . . .” Daniel pauses,
then adds, “if it ever did exist.”
Nuestras Raíces is closing the circle, imitating nature in mov-
ing toward a sustainable, no-waste system that continually re-
news itself through the cycle of growth and decay.
“The only progress that counts,” Aldo Leopold once said, “is
that on the actual landscape.”
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In the end, it’s a question of scale, the difference between the
inhuman length of a row of tulips or asparagus on an industrial
farm, measured by the distance from La Finquita to the clock
tower, and the length of a row of Alejandro’s beans.
If you could see South Holyoke from the air, the original plan
of the men from Boston would still be visible: the dam on the
great curve of the Connecticut River at Hadley Falls, the horse-
shoe of mills around the stepped canals that once drove their tur-
bines. But then, all around the straight bar of silver light that is
the calmly flowing water of the Race Street canal, you would see
the green oases of the gardens of Nuestras Raíces. And there, on
the corner where the coaches once stopped, you would see the
ribbed arch of a greenhouse beside a fountain and a brick plaza
surrounded by a raised garden. And on the wall above the entry
to Mi Plaza, you would see, at the center of a huge mural painted
by children, a blue-and-green globe displaying the familiar shape
of the Americas linked by a slender belt of land. From it a great
tree has grown—a flamboyan, native to Puerto Rico. Its blazing
crown—the same color as New England trees in autumn—
spreads wide, sheltering the land, its slender roots reaching down
to encircle the earth.
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