YOU WILL ONLY BE PROVIDING CONTENT FOR 5 POWER POINT SLIDES
Michelle_Michy
20200418141547art_gallery_4.18.20.pptxArt Gallery
NAME
SCHOOL
DATE
High Renaissance Art Introduction
Religion in this case interests me as it allows me to create a personal relationship between the paintings and our reality.
I hope to learn more about religion in relation to Leonardo Da Vinci’s works.
I also hope to create a connection with the different forms of art which existed at his time and how they used the theme for their development.
High Renaissance Art Introduction
Religion was one of the most famous themes in the renaissance period
It allowed a painters such as Leonardo Da Vinci to express their feelings and emotions towards different aspects of religion through their paintings.
It was motivated by the accurate portrayal of classical monuments in a lifelike manner through naturalism, Leonardo Da Vinci portrayed different aspects of religion.
Therefore, religion promoted both Leonardo Da Vinci’s artwork and his faith as a strong Catholic Christian.
The Last Supper Leonardo Da Vinci 1495-1498 Mural Painting
“The Last Supper” is Leonardo Da Vinci’s artwork drawn in 1498
Leonardo made the image of the last supper lifelike portraying a more human inspired drama
He focused on showing people on the idea of Jesus getting betrayed by one of his disciples
The Last Supper
Visual Elements:
Line: Vertical lines. The windows, doors and wall interior wall paintings are vertical hence leading the eye into an expression and arousal of inquietude and exaltation emotions.
Shape: There are rectangular windows, walls and doors. The disciples’ heads also form depict spherical shapes.
Light: There is a single source of light; outside sky that penetrates the room. The light is contrasting.
Color: Red orange, blue, orange and yellow green. The colors are muted. Yes, a combination of primary hue and tertiary hues ?
Texture: Lacy on the gowns of the disciples
Mass: The art is heavier at the back where dark colors have been used immensely.
Time: Daytime because the sky is still bright
Motion: Disciples coalescing towards each other hence forming two groups leaving Jesus at the center.
1. Artwork Title
Design Principles:
Unity: what elements work together to make a harmonious whole?
Variety: What creates diversity?
Balance: Is it symmetrical or asymmetrical?
Emphasis: What is the focal point?
Directional forces: What are the paths for the eye to follow?
Contrast: Where do you see contrasting elements in the artwork?
Repetition & rhythm: Is an element repeated?
Scale & proportion: Are the objects in proportion to each other?
The Virgin of the Rocks Leonardo Da Vinci 1483-1486 Oil Painting
The painting was drawn in 1483-1486
It was an oil to panel painting which described angel Uriel, John the Baptist, Madonna and baby Jesus in a setting filled with rocks, which gives the painting its name
It largely portrays Leonardo’s understanding of the religion together with the significant bodies associated with it.
The Virgin of the Rocks
Visual Elements:
Line: Curved lines as depicted on the hips and rock pinnacles. The application of paint shows compassion and humility of Mary by choosing to sit on the ground despite being regarded as a queen.
Shape: Shapeless rocks towering above Mary and the infants
Light: The figures are illuminated by light falling from the top-left of the picture.
Color: Vegetation-based dark green. Tertiary hues.
Texture: Opaque vegetation colors provided earthy rock tones
Mass: Evenly distributed throughout.
Time: Seems to be nighttime because there is light unnatural source of light
Motion: No motion depicted. General calmness
2. Artwork Title
Design Principles:
Unity: what elements work together to make a harmonious whole?
Variety: What creates diversity?
Balance: Is it symmetrical or asymmetrical?
Emphasis: What is the focal point?
Directional forces: What are the paths for the eye to follow?
Contrast: Where do you see contrasting elements in the artwork?
Repetition & rhythm: Is an element repeated?
Scale & proportion: Are the objects in proportion to each other?
Madonna of the Carnation Leonardo Da Vinci 1478-1480 Oil Painting
It was Leonardo’s oil on panel painting which he worked on in 1478-1480.
It includes the Virgin Mary siting with Baby Jesus, depicting different symbols.
The images of Virgin Mary and Baby Jesus are put into more light compared to the other objects in the painting to emphasize their existence and different poses.
Madonna of the Carnation
Visual Elements:
Line: Diagonal line depicting two objects in action between the mother and the child.
Shape: Dominant shape from the painting rectangular window with circular edges
Light: The painting at its center is illuminated by light positioned from a horizontal elevation. The window also lets in some natural light.
Color: Dominantly black with tertiary hues
Texture: Visually smooth with no impasto
Mass: The artwork heavier on the left side where there is immense darkness
Time: It is daytime because the window also brings in some bright light in addition to the luminous inside light source.
Motion: There is motion as evidenced by the girlish Virgin mother as she smiles and fondles her child
3. Artwork Title
Design Principles:
Unity: what elements work together to make a harmonious whole?
Variety: What creates diversity?
Balance: Is it symmetrical or asymmetrical?
Emphasis: What is the focal point?
Directional forces: What are the paths for the eye to follow?
Contrast: Where do you see contrasting elements in the artwork?
Repetition & rhythm: Is an element repeated?
Scale & proportion: Are the objects in proportion to each other?
Salvator Mundi Leonardo Da Vinci 1513 Oil Painting
As a renaissance artist, Leonardo used oil and walnut for this painting in 1513
It shows Jesus Christ, making a cross sign with his other hand holding a transparent round object, representing his role as savior of the world.
It familiarizes people with the scripture,
relating them to Christ and his actions
to the world.
Salvator Mundi
Visual Elements:
Line: Diagonal line that indicates gesturing and more actions such as talking
Shape: Circular transparent object held by the left hand of the painted figure, presumably ‘Jesus’ (The National Gallery, 2020).
Light: One source of light illuminating the figure from front way
Color: Blue-pink, muted of tertiary hue
Texture: Visually rough with traceable impasto
Mass: The artwork heavier on the on the back of the figure where there is immense darkness
Time: Time setting is at night since the painting is illuminated from one unnatural source of light
Motion: There is motion since the figure makes a cross sign with his other hand holding a transparent round object
4. Artwork Title
Design Principles:
Unity: what elements work together to make a harmonious whole?
Variety: What creates diversity?
Balance: Is it symmetrical or asymmetrical?
Emphasis: What is the focal point?
Directional forces: What are the paths for the eye to follow?
Contrast: Where do you see contrasting elements in the artwork?
Repetition & rhythm: Is an element repeated?
Scale & proportion: Are the objects in proportion to each other?
Saint John the Baptist Leonardo Da Vinci 1513-1516 Oil Painting
The painting is believed to be Leonardo’s final painting which he worked on in 1513 to 1516
He used oil and walnut wood type to portray the image of John the Baptist.
The painting was an example of Leonardo’s High Renaissance oil painting.
Saint John the Baptist
Visual Elements:
Line: Also diagonal line demonstrating an actions where the figure seems to be issuing offering explanation over a cross he is holding
Shape :No shape
Light: One source of light illuminating the figure from the front
Color: Black, tinted and simulating hue
Texture: Visually rough with traceable impasto
Mass: The artwork heavier on the on the back of the figure where there is immense darkness
Time: Time setting is at night since the painting is illuminated from one unnatural source of light
Motion: There is motion since the figure holds a cross with both hands while gesturing
5. Artwork Title
Design Principles:
Unity: what elements work together to make a harmonious whole?
Variety: What creates diversity?
Balance: Is it symmetrical or asymmetrical?
Emphasis: What is the focal point?
Directional forces: What are the paths for the eye to follow?
Contrast: Where do you see contrasting elements in the artwork?
Repetition & rhythm: Is an element repeated?
Scale & proportion: Are the objects in proportion to each other?
Conclusion
Religion is a huge part of Leonardo Da Vinci’s work
It reflects not only his faith, but also his belief on different events relating to his religion
His real portrayal of different events are largely contribute to the popularity of his work
His work was both authentic and relatable
References
Amazon Prime. (2020). St. John the Baptist by Leonardo da Vinci Fridge Magnet. Retrieved from https://www.amazon.com/Baptist-Leonardo-Vinci-Fridge-Magnet/dp/B00BT7VBZ6
Art.com. (2020). Salvator Mundi by Leonardo da Vinci. Retrieved from https://www.art.com/ products/p25844441736-sa-i8036275/salvator-mundi-attributed-to-leonardo-da-vinci.htm
Emeritus, D. P. Prebles’ Artforms. [VitalSource Bookshelf] Retrieved from https://online.vitalsource.com/#/books/97802059722...
Fine Art America. (2020). The Last Supper by Leonardo da Vinci. Retrieved from https:// fineartamerica.com/featured/18-the-last-supper-leonardo-da-vinci.html?product=greeting- card
Leonardo da Vinci. (2020). Benois Madonna. Retrieved from https://www.leonardodavinci.net/ benois-madonna.jsp
The National Gallery. (2020). The Virgin Rocks by Leonardo da Vinci. Retrieved from https:// www.nationalgallery.org.uk/paintings/leonardo-da-vinci-the-virgin-of-the-rocks
