ibus 593 extra credit #4 prompt
For further information, please visit:
European Commission: http://ec.europa.eu/trade/policy/accessing-markets/intellectual-property/
http://ec.europa.eu/internal_market/top_layer/intellectual-property/index_en.htm
Office for Harmonization in the Internal Market (OHIM): www.oami.europa.eu
European Patent Office: www.epo.org
doi: 10.2781/83487
ISBN 978-92-79-38055-6
Read the full Communication at
http://ec.europa.eu/trade/policy/acce
ssing-markets/intellectual-property/
In July 2014 the EU adopted a new Strategy to take into account changing circumstances and new challenges. The focus is now on:
Trade agreements
Laws
Dialogues with the
authorities of non-EU countries
Helpdesks (providing free advice to SMEs)
Technical assistance
Enforcement of rights
Improving IPR provisions in EU trade agreements with non-EU countries to ensure better IP protection and to address weaknesses in their systems, taking into consideration their level of economic development
Strengthening networking and coordination between the embassies and other offices of EU countries and EU institutions in non-EU countries
Developing engagement and cooperation –with all stakeholders, expanding outreach, and improving awareness of IP-related technical assistance programmes
Continuing multilateral efforts to improve the international IPR framework, including by encouraging non-EU countries to ratify existing treaties
Improving data collection –using the European Observatory on Infringements of Intellectual Property Rights and the expertise of international organisations to get better evidence in particular on the value of IPR and their infringement
Using dispute settlement mechanisms or other remedies where the EU's rights under international agreements are infringed
Strengthening IP Dialogues with key non-EU countries and using high-level trade and political talks to get progress on tackling IPR issues
The EU has long worked hard to ensure European IP is protected properly in non-EU countries through:
The EU's new external strategy on Intellectual Property Rights
Helping developing countries to protect, enforce and raise awareness of IPR through technical assistance programmes
Improving EU coherence between EU policy on IPR and other EU policies
Intellectual Property Rights
A New Strategy for
Protecting and
Enforcing Intellectual
Property Rights Beyond
the EU
Trade, growth and intellectual property
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The view from the artist What are Intellectual Property Rights? Intellectual Property Rights (IPR) are the currency of the knowledge economy. They give confidence to authors, artists, designers and inventors that they will be rewarded for successful creations and inventions, and to consumers that they are purchasing genuine products.
These rights, most of which are time-limited, are a key incentive to creativity and innovation, and thus improve consumer choice and job creation in Europe's economy.
How important is Intellectual Property (IP)? Europe is a centre of innovation and creativity. 90% of EU exports come from IP-intensive industries. That is why we need to ensure that countries outside the EU provide adequate protection for innovative products so creators are properly rewarded and consumers protected against fakes. At the same time, IP can be good for development. It can boost exports of new products, encourage innovation and raise tax revenues.
But IPR infringements world wide are increasing. This threatens consumer welfare, the livelihoods of creators, and their ability to continue to innovate – jobs and economic growth are at stake. IP-intensive industries account for more than a quarter of all jobs in the EU and pay on average 40% more than jobs in non-IP intensive industries.
a word, logo or symbol that
competitors may not use once it has
been protected
on new technical inventions
the outward appearance of a product
on products only made in one specific place
1 Industrial Property
IPR fall into two categories:
2 Copyright and related rights
patents
trademarks
geographical indications
designs
* J.
K . R
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" I worked exceptionally hard, and I made sacri�ces
for my work. And if, when I had been literally choosing between food and a typewriter ribbon, I had been told I did not own these words, these words were not mine, they could be taken, li�ed by anyone and resold under a di�erent author's name, so-called author's name, I would have found that quite devastating." *
J.K. Rowling
books
articles
plays and films
musical works
visual works
computer programmes
sound recordings and music videos
live performances
broadcasts