England chapter 19

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BUIE HARWOOD BRIDGET MAY CURT SHERMAN

An Integrated History to the Present

Chapter 19
English Restoration
1660-1702

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

English Restoration

Restoration of monarchy brings major changes

  • Foreign influences replace Elizabethan & Jacobean styles in architecture, interiors, & furnishings

Architecture wholeheartedly adopts classicism

  • Influenced by Italian Renaissance, French or Italian Baroque, Dutch Palladianism, or Inigo Jones

Interiors—exuberantly Baroque or subdued classical with three-dimensional wood carving or plasterwork

Furniture—Baroque design elements & principles

  • French influence or Dutch curving silhouettes

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

CONCEPTS

Eclectic, dominated by foreign influences

Baroque comes with Italian craftsmen; English architects & designers visiting Italy; Charles II & his nobles; Huguenot craftsmen

  • Stimulate some elaboration or exuberance

Conditions not conducive to a Baroque—no Catholic Church or absolute monarchy

Most common—subdued, restrained, conservative Baroque

  • Dutch-like character from trade or craftsmen who emigrate with William & Mary

Sir Christopher Wren creates more elaborate Baroque

Conservative & elaborate used to express power & wealth

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

ARCHITECTURE

Form & details defined by rational classicism with some Baroque elements

Classical elements, large scale, symmetry, center emphasis, advancing & receding planes, some curves

  • Never as plastic as Italy or as grand as France

Sir Christopher Wren introduces Baroque concepts & motifs

  • Most Baroque work for royal family
  • Most creative—city churches, London

Sir John Vanbrugh & Nicholas Hawksmoor create most obvious Baroque in country houses, city churches

Sir Roger Pratt introduces rectangular block house

  • Becomes standard Georgian house in England& America

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

19-1. Architectural Detail: Carved panel detail, c. 1670; England. English Restoration.

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

19-2a. S. Mary-le-Bow, Cheapside and floor plan, 1670-1677; London, England; Sir Christopher Wren. English

Restoration.

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

19-2b. S. Mary-le-Bow, Cheapside, nave, 1670-1677; London, England; Sir Christopher Wren. English

Restoration.

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

19-3a. S. Paul’s Cathedral, 1675-1710; London, England; Sir Christopher Wren. English Restoration.

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

19-3b. S. Paul’s Cathedral, floor plan, 1675-1710; London, England; Sir Christopher Wren. English Restoration.

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

19-3c. S. Paul’s Cathedral, nave 1675-1710; London, England; Sir Christopher Wren. English Restoration.

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

19-4. Coleshill and floor plan, c. 1650 (destroyed by fire 1952); Oxfordshire, England; Sir Roger Pratt. English Restoration.

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

19-5. Belton House, 1684-1686; Lincolnshire, England; house by William Stanton. English Restoration.

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

19-5b. 19-5. Belton House, floor plan, 1684-1686; Lincolnshire, England; house by William Stanton. English Restoration.

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

19-5c. Belton House, drawing room, 1684-1686; Lincolnshire, England; carving by Grinling Gibbons. English Restoration.

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

19-6a. Blenheim Palace, 1705-1724; Oxfordshire, England; Sir John Vanbrugh and Nicholas Hawksmoor. English Restoration.

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

19-6a. Blenheim Palace, saloon, 1705-1724; Oxfordshire, England; Sir John Vanbrugh and Nicholas Hawksmoor. English Restoration.

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

INTERIORS

Conservative & extravagant interiors

Conservative—somber, unostentatious classicism

  • Human scale, restraint, repose
  • Classical details, wall paneling, compartmentalized plaster ceilings, wood floors
  • Wood carving most common decoration—staircases, paneling, windows, doors, chimneypieces

Extravagant—express power & wealth

  • Large scale, wall & ceiling paintings in vivid colors, complexity, plasterwork & woodcarving with gilding
  • Executed by foreign craftsmen

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

19-8. Queen’s Antechamber (Blue Drawing Room), Ham House, 1673-1683; Surrey England. English Restoration.

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

19-9a. Stair hall, Sudbury Hall, c. 1676; Derbyshire, England; carving by Edward Pierce; plasterwork by Robert Bradbury. English Restoration.

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

19-9b. Stair hall, Sudbury Hall, c. 1676; Derbyshire, England; carving by Edward Pierce; plasterwork by Robert Bradbury; ceiling painting by Louis Laguerre. English Restoration.

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

FURNISHINGS AND DECORATIVE ARTS

Furniture transforms during period

  • Nobles’ desire for luxury, refinement, new forms, finer cabinetwork
  • French, Dutch, Oriental influences

Walnut but more veneers, carving, lacquer

New pieces: easie chairs, settees

Charles II, Carolean or Stuart (1660-1689)—rectilinear forms, S & C scrolls, turning, exuberant & abundant carving

William & Mary (1660-1689)—more conservative; Dutch influence in curving silhouette, cabriole & trumpet legs; spoon backs & splats; Spanish & pied-de-biche feet

Also Louis XIV types

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

19-10. Charles II walnut armchairs, c. late 17th century; England. English Restoration.

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

19-11. William and Mary side chair with spoon back, cabriole legs and pied-de-biche feet, late 17th or early 18th century; England. English Restoration.

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

19-12. William and Mary dressing table, late 17th century; England. English Restoration.

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

19-13. Cabinet on stand with turned legs and marquetry, 17th century; England. English Restoration.

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

19-14. Chest of Drawers, 1680-1685; England. English Restoration.

Chapter 19: English Restoration  19.*

©2011 Pearson Education Upper Saddle River, NJ 07458

Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman

19-15. William and Mary japanned double-hooded desk and bookcase; 17th century; England. English Restoration.