England chapter 15
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0135093597_ppt15.pptBUIE HARWOOD BRIDGET MAY CURT SHERMAN
An Integrated History to the Present
Chapter 15
English Renaissance
Tudor, Elizabethan, and Jacobean
1485 – 1660
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
English Renaissance
Architecture, interiors, & furniture gradually change from Gothic to Renaissance
More eclectic than other countries
More influence from Flanders & France than Italy
Mannerism defines
- Learn of Renaissance from pattern books, foreign craftsmen, trade, & travel
Exception: Classicism of Inigo Jones
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
CONCEPTS
Italian ideas & influences mingle with French & Flemish
Unique to England
- Designs—assemblages from variety of artisans
- Individuality, distinctiveness
Last country to adopt Renaissance
Little first-hand contact with Renaissance
- Never completely classical
- Inigo Jones’s work an exception but few followers
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
CHARACTERISTICS AND MOTIFS
Tudor (1495-1558)—late Gothic with some Renaissance elements; some symmetry & order
Elizabethan (1558-1603)—Mannerist & Classical elements; order, symmetry; lavish decoration especially in interiors & furniture
Jacobean (1603-1642)—similar to Elizabethan but less individuality & more stylistic unity; interiors lavishly decorated but simpler furniture
Motifs—Tudor roses, strapwork, grotesques, acanthus leaves, vines
Paneling—linenfold, composite, arcaded
Architectural features—columns, pediments, arcades
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
14-1. Motifs and Architectural Details: Top from left: Tudor Rose; and linenfold panel; bottom from left: pargework ceiling with vines and leaves; and composite panel. English Renaissance.
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
ARCHITECTURE
Gradual application of Renaissance details & designs borrow from many sources than Italian
Share climate differences with France
Building types: mansions, manor houses, townhouses unlike Italy & France
Tudor—less fortification; irregular facades, roofs, windows; half-timber construction; military elements
Elizabethan—lower stories horizontal & regular; picturesque rooflines; grander scale than Tudor; more foreign influences & borrowings from pattern books
Jacobean—more stylistic unity; still eclectic with strong foreign influences; picturesque roofs; classical details on ornamental fronts
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
15-2. Harvard House and Garrick Inn, 1485-1660. Staffordshire, England. English Renaissance: Tudor and Elizabethan.
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
15-4a. Compton Wynyates, 1480-1520, Warwickshire, England. English Renaissance: Tudor.
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
15-4b. Compton Wynyates Banqueting Hall, 1480-1520, Warwickshire, England. English Renaissance: Tudor.
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
15-5a. Hardwick Hall, 1590-1597; Derbyshire, England; Robert Smythson. English Renaissance: Elizabethan.
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
15-5b. Hardwick Hall floor plan, 1590-1597; Derbyshire, England; Robert Smythson. English Renaissance: Elizabethan.
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
15-5c. Hardwick Hall Great Chamber, 1590-1597; Derbyshire, England; Robert Smythson. English Renaissance: Elizabethan.
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
15-6a. Banqueting House, Whitehall, 1619-1622; London, England; Inigo Jones. English Renaissance: Jacobean.
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
15-6b. Banqueting House hall, Whitehall, 1619-1622; London, England; Inigo Jones. English Renaissance: Jacobean.
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
*15-7. Queen’s House, Greenwich, 1616-1635, London, England; Inigo Jones. English Renaissance: Jacobean. *[ Substitute Image]
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
15-8a. Wilton House, c. 871-1653; Wiltshire, England; 1635-1653, architectural addition possibly by Inigo Jones English Renaissance.
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
15-8b. Wilton House Double Cube Room, c. 1635-1653; Wiltshire, England; possibly by Inigo Jones; furnishings by Thomas Chippendale and William Ken, c. early 18th century. English Renaissance: Jacobean.
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
15-8c. Wilton House Double Cube Room wall elevation, c. 1635-1653; Wiltshire, England; possibly by Inigo Jones; English Renaissance: Jacobean.
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
INTERIORS
Not wholly Renaissance but selected, mostly Mannerist, details
- Copied from pattern books, executed by foreign craftsmen
Assemblages of decorative elements & lack unity of other countries
- France, Flanders, Germany more influential than Italy
Tudor—largely medieval, somber; some classical details
Elizabethan—exuberant, brilliant colors, nearly every surface decorated; classical Mannerist details more evident
Jacobean—continue Elizabethan exuberant Mannerism; Jones’s work the exception
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
15-10. Banqueting Hall, Haddon Hall, 1477-1545; Derbyshire, England. English Renaissance: Tudor.
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
15-11. Bedchamber, Sizergh, 16th Century, Westmoreland, England. English Renaissance: Elizabethan.
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
15-12. Cartoon (Long) Gallery, Knole, 1607-1608, Kent, England. English Renaissance: Jacobean.
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
15-14. Textiles: Fabrics and wallpaper; 16th century, England. English Renaissance.
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
15-15. Lighting: Candlesticks in iron and other metals. English Renaissance.
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
FURNISHINGS AND DECORATIVE ARTS
Gradual application of Renaissance forms and motifs to indigenous English furniture
Rooms sparsely furnished
Tudor—similar to medieval form & decoration; Renaissance mixes with Gothic; Romayne work
Elizabethan—massive, heavy proportions, rich carving, & inlay; strong Flemish influence along with Classical
- Heavy, carved bulbous support definitive feature; strapwork, geometric inlay, gadrooning
- Textiles provide color & interest
Jacobean—continues Elizabethan but simpler & more naturalistic carving; strapwork, applied pendants, split baluster turnings
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
15-16. Wainscot chair; England; English Renaissance: Elizabethan.
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
15-17. Chair with spiral turned legs. English Renaissance: Jacobean.
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
15-18. Nonsuch chest, late 16th century. Elizabethan.
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
15-19. Court Cupboard, late 16th-early 17th centuries. English Renaissance: Elizabethan.
Chapter 14 English Renaissance 14.*
©2011 Pearson Education Upper Saddle River, NJ 07458
Architecture and Interior Design: An Integrated History to the Present Buie Harwood, Bridget May, and Curt Sherman
15-20. Henry VIII’s bedchamber, Hever Castle, c. 15th -16th century; Kent, England. English Renaissance: Elizabethan.
