tina art project 4
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ArtProject4.docx
ArtProject4SeeingtheSpacesBetween-1.pdf
ArtProject4.docx
Art Project #4: Seeing the Spaces Between Materials required: Pencil, and paper
Look for negative shapes in the world around you. These shapes should come from the spaces you observe between or around actual objects, rather than shapes you invent.
Part 1: On one sheet of unlined 8.5 × 11-inch draw 10 small, interesting negative shapes that you observe. Remember, these are not silhouettes (outlines) of objects, but the spaces enclosed by or between forms.
Part 2: Choose the most unique or interesting shape from Part 1. On a second sheet of paper unlined 8.5 × 11-inch , enlarge and alter that shape to create a new composition that fills the page. Keep composition in mind as you enlarge, alter, and place your negative shape.
ArtProject4SeeingtheSpacesBetween-1.pdf
Art Project #4: Seeing the Spaces Between Materials required: Pencil, and Paper
Look for negative shapes in the world around you. These
shapes should come from the spaces you observe between or
around actual objects, rather than shapes you invent.
Part 1: On one sheet of unlined 8.5 × 11-inch paper, draw 10
small, interesting negative shapes that you observe.
Remember, these are not silhouettes (outlines) of objects, but
the spaces enclosed by or between forms.
Part 2: Choose the most unique or interesting shape from Part
1. On a second sheet of unlined 8.5 × 11-inch paper, enlarge
and alter that shape to create a new composition that fills the
page.
Keep composition in mind as you enlarge, alter, and place your
negative shape.
Seeing The Spaces Between… Our natural way of seeing, or perceiving,
is to focus on ‘things’—identifiable
objects—and to disregard or not notice
the space which surrounds them. We
call this distinction between the object
and the background Positive and
Negative Space, or Figure and Ground.
It takes a perceptual shift to be able to
focus our eyes and mind on what ‘isn’t
there’…
When an object or shape appears to
reach out into space or has openings
through it, we begin to see areas that
are framed and activated as their own
shapes of interesting Negative Space…
The first two drawings here are of a
Mountain Goat and the whole
Mountain Goat’s silhouette…
…but this last one is of
interesting Negative Shapes
that we can see created
between the animal’s body
parts.
Part 1: Student Examples
Student Examples: Part 1 and 2
- Slide 1
- Slide 2
- Slide 3
- Slide 4
- Slide 5
- Slide 6
- Slide 7
- Slide 8
ArtProject4.docx
Art Project #4: Seeing the Spaces Between Materials required: Pencil, and paper
Look for negative shapes in the world around you. These shapes should come from the spaces you observe between or around actual objects, rather than shapes you invent.
Part 1: On one sheet of unlined 8.5 × 11-inch draw 10 small, interesting negative shapes that you observe. Remember, these are not silhouettes (outlines) of objects, but the spaces enclosed by or between forms.
Part 2: Choose the most unique or interesting shape from Part 1. On a second sheet of paper unlined 8.5 × 11-inch , enlarge and alter that shape to create a new composition that fills the page. Keep composition in mind as you enlarge, alter, and place your negative shape.
ArtProject4SeeingtheSpacesBetween-1.pdf
Art Project #4: Seeing the Spaces Between Materials required: Pencil, and Paper
Look for negative shapes in the world around you. These
shapes should come from the spaces you observe between or
around actual objects, rather than shapes you invent.
Part 1: On one sheet of unlined 8.5 × 11-inch paper, draw 10
small, interesting negative shapes that you observe.
Remember, these are not silhouettes (outlines) of objects, but
the spaces enclosed by or between forms.
Part 2: Choose the most unique or interesting shape from Part
1. On a second sheet of unlined 8.5 × 11-inch paper, enlarge
and alter that shape to create a new composition that fills the
page.
Keep composition in mind as you enlarge, alter, and place your
negative shape.
Seeing The Spaces Between… Our natural way of seeing, or perceiving,
is to focus on ‘things’—identifiable
objects—and to disregard or not notice
the space which surrounds them. We
call this distinction between the object
and the background Positive and
Negative Space, or Figure and Ground.
It takes a perceptual shift to be able to
focus our eyes and mind on what ‘isn’t
there’…
When an object or shape appears to
reach out into space or has openings
through it, we begin to see areas that
are framed and activated as their own
shapes of interesting Negative Space…
The first two drawings here are of a
Mountain Goat and the whole
Mountain Goat’s silhouette…
…but this last one is of
interesting Negative Shapes
that we can see created
between the animal’s body
parts.
Part 1: Student Examples
Student Examples: Part 1 and 2
- Slide 1
- Slide 2
- Slide 3
- Slide 4
- Slide 5
- Slide 6
- Slide 7
- Slide 8