music article8

 Assignments will vary by undergraduate class level, with some individual assignments; see specific assignment instructions. 

1. What does Floyd mean by the term “musical trope”?

2. In what sense does he suggest that call-response functions as a “master trope” able to encompass other tropes within it?

3. How does Floyd see this master trope of call-response in relation to the activity of musical analysis?

  in response to pages 60-62 and 68-69: