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THEGUESTLECTURE.docx

The Guest

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Albert Camus

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Each of us is a prisoner of something. It might be an ideology, a past failure, others’ visions of and for us, energizing hope, satisfying love, poverty of spirit, hunger for spiritual growth, physical challenges, pain, and the list grows. These imprisonment types can change over time and according to circumstance. As children they might be a special bed time stuffed animal; years later it might be a Camaro. People can be trapped in employment that stifles. The intensity of the imprisonment can vary. It might be a fleeting engagement, acute interest, trained behavior, or obsession. Imprisonment is one way to approach The Guest.

We are all guests on the planet. How do we treat our host? We are all guests in others’ lives. How do we treat them? Antagonize? Support? Intention directs behavior.

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Existentialism is central to Camus with its themes of alienation and commitment. It is “a philosophical theory or approach that emphasizes the existence of the individual person as a free and responsible agent determining his/her own development through acts of the will.”

Of course, we are born into a set of circumstances peopled by a certain group of people. That is the initial cocoon. Taken from there, we make choices in how we respond to our circumstances. These occur intentionally and also perhaps as “knee-jerk” reactions. Nevertheless, they are our decisions and we are responsible for them.

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Camus, the existentialist, also represents for our purposes colonial literature having grown up in a French settler community in Algeria. The Guest is set in Algeria during the anti-colonial struggle and confronts the Arab-European conflict

via a unique lens.

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The Algerian War, also known as the Algerian War of Independence or the Algerian Revolution was a war between France and the Algerian National Liberation Front from 1954 to 1962, which led to Algeria gaining its independence from France. Wikipedia

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The Guest begins with two prisoners. One is a murderer and the other is his guard whose has decreed his allegiance to a law he can accept. The murderer chose to kill; the guard chose to guard. A third character is a school teacher who has a comfortable world that will soon break. Choices ensue. The guard returns to his governing world. The captive is freed, but remains. The “free” man becomes a captive of sorts.

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