only for Wendy Woods

1. According to Bohlman, what is Music of the Sufis? (While you may directly quote him, please also give your interpretation of his opinion and concerns.)

2. In this article Bohlman devotes much attention to qawwālī (Sufi devotional music). What are the reasons he gives for the tremendous popularity of qawwālī across the world?

3. When Bohlman says that world musics and world religions meet and interact in contested moments and places, what examples does he give to support that statement?