Production Analysis Paper

imour33
ProductionResponsesguidelines.pdf

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Production Analysis Papers—25 points each

For each production that you attend, you must save your ticket stub. Use a pen to sign your name across the

front of the ticket. Then, take a photograph or scan it and upload the image file at the end of your response

paper. Without proof of attendance, you will not receive full credit for this assignment. We will not accept

any part of this assignment via email.

Keep your program. We recommend that you keep your program from the show so that you can properly

reference artists’ names in your paper. Failure to credit properly artists will result in a loss of points. Often the

program will contain a note from the director or dramaturg, information that you might find helpful on this

assignment.

Instructions—Read Carefully!

Write an analysis that responds to the prompts below with your original analysis and insight about the play

and its production. We want to know what you thought about what you experienced and saw on the stage, not

what you liked or didn’t like.

Your analysis must express a point of view about the production and must be at least 2 full pages but no more

than 3 pages long. Assume your reader attended the production. Provide context for your discussion and

analysis without retelling the entire plot of the play if a brief synopsis of the story might help you to set up

your arguments.

I. Prompts

• A Design Element. Examine the use of ONE design element in the production. (A design element includes scenery, costumes, props, lighting, sound, or media design). Properly credit the artist whose

work you are critiquing. How did these specific design choices create meaning and contribute to the

world of the play and the storytelling? Use specific moments from the production to support your

aesthetic interpretation and analysis. How does this reinforced the setting of the play or the status, class,

gender, or relationship of a character;

• Choice of a Staging Moment or a Performance or another Point of Interest. You are free to choose

another aspect of the production to analyze; for example, a specific director’s choice, an actor’s

performance, a piece of choreography, or something else that captured your interest. How did this

particular specific create meaning? What does this specific piece of the production suggest about the

production as a whole?

• Issues of Diversity: Examine the politics of the play by choosing an issue of diversity (such as race,

ethnicity, gender, sexuality, class, religion, disability) and evaluating its depiction. How does the play’s

depiction reinforce or challenge conventional (traditional) understandings of the issue under

examination? What does this particular issue under examination suggest about the play as a whole?

Do not let the above prompts limit your response; rather, use them to inspire, expand, and deepen your

thinking about the play and its production.

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II. Format

Follow MLA style guidelines: MLA Sample Paper. You paper must contain your name, the course number, your

recitation instructor’s name, and the date, formatted per the example provided. MLA guidelines can be found at

(http://owl.english.purdue.edu/owl/resource/747/01/).

• Give your paper a creative title. • Italicize play titles. They do not belong in “quotation marks.”

• When talking about a production that you have seen, use the past tense.

• You should name each artist whose work you are discussing.

• This is a scholarly paper. Use a formal voice. Avoid slang. Writing should be polished— your grade for presentation includes grammar, syntax, and spelling.

• Proofread. Your writing should be free of typos, misspellings, and other mistakes.

• If you use any sources, be sure to include a citation. This applies to the dramaturg’s program note. Here is the general format for citing a show’s program:

Program Notes. Name of Play by Playwright. Producing Company. Location. Date you saw

the show.

SUBMISSION DIRECTIONS • Upload your production analysis paper and include the image file of your signed ticket stub or

program at the end of your paper (in Word or PDF format only) to the correct Carmen Production Analysis assignment. We reserve the right to refuse late or emailed papers.

• Failure to turn in your paper in a readable format will result in a loss of points.

NOTE: This is an individual, not a collaborative assignment. The essay you turn in should be your own work.

In this course, we use Turnitin originality check on all written work. Avoid plagiarism!

III. Other Tips

Be honest! You do not have to express any particular opinion just to try to please your instructor. But

remember, you must support your opinions using specific examples and thoughtful analysis about the

production. It is not enough just to have an opinion, positive or negative. You must tell your reader why.

Talk about what really interested or excited you about the production!

Grading Rubric:

5 pts A Design Element

5 pts Point of Interest

5pts Issues of Diversity

5pts Presentation (organization, grammar, etc.)

5 pts Proof of Attendance and proper credit to production crew and actors

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IV. Grading Rubric 25 points

Criteria

5

Sophisticated

(Paper goes above and

beyond the

assignment)

4

Skilled

(Paper

successfully

fulfills the

parameters of the

assignment)

3

Competent

(Paper fully meets

the parameters of

the assignment)

2

Fairly Competent

(Paper does not

address some

aspects of the

assignment)

1

Not Yet

Competent

(Paper does not

address the

assignment)

0

No Marks

(Paper

demonstrates no

effort to fulfill the

assignment)

Design

Element

This paper contains an exemplary examination

of a production design element. The writer presents specific and

compelling examples to support his/her aesthetic interpretation. The

argument clearly and compellingly articulates how the design choices

create context and meaning in the world of the play.

This paper

contains a strong examination of a

production design

element. The writer presents

specific examples

to support his/her

aesthetic

interpretation. The

argument clearly articulates how the

design choices create context and

meaning in the

world of the play.

This paper contains an adequate

examination of a production design element. The writer

presents relevant examples to support his/her aesthetic

interpretation. The argument articulates how the design

choices create meaning in the world of the play.

This paper contains a lackluster

examination of a production design element. The writer

engages in description rather than analysis. The

argument consists of opinions rather than critical insights

that articulate how design choices create meaning.

The ideas in this

paper are unfocused,

underdeveloped,

and/or unconvincing.

Argument is

repetitive and

provides no critical

insight.

This paper failed to

fulfill the requirement.

Point of

Interest

The writer choses an exceedingly compelling aspect of the production

to examine. He/She demonstrates keen critical insight about the

significance of this aspect of production.

The argument clearly

and compellingly articulates how this

point of interest informs the play as a whole.

The writer choses an interesting

aspect of the

production to examine. He/She

demonstrates

critical insight about the

significance of this

aspect of the production. The

argument clearly

articulates how this point of

interest informs

the play as a whole.

The writer choses an important aspect

of the production to

examine. He/She demonstrates

insight about the

significance of this aspect of the

production. The

argument articulates how this point of

interest informs the

play as a whole.

This writer’s choice betrays a lack of interest in the

production. He/She fails to provide insight about the

significance of this aspect of the production. Little

effort is made to connect this aspect of the production

back to the play as a whole.

This writer choses an insignificant

aspect of the

production to examine. His/Her

ideas are unfocused,

underdeveloped, and/or

unconvincing.

Argument is repetitive and

provides no critical

insight.

This paper failed to fulfill the

requirement.

Issue of

Diversity

This paper contains an

exemplary examination of an issue of diversity.

The writer presents

specific and compelling examples to support

his/her critical analysis

of the play’s politics. The argument clearly

and compellingly

articulates how the play’s politics inform

the play as a whole.

This paper

contains a strong examination of an

issue of diversity.

The writer presents specific

examples to

support his/her critical analysis of

the play’s politics.

The argument clearly articulates

how the play’s politics inform the

play as a whole.

This paper contains an adequate

examination of an issue of diversity. The writer presents

relevant examples to support his/her critical analysis of

the play’s politics.

The argument articulates how the

play’s politics inform the play as a whole.

This paper contains a lackluster

examination of an issue of diversity. The writer engages

in description rather than analysis. The argument consists

of opinions rather

than critical insights that articulate how

the play’s politics inform the play as a whole.

The ideas in this

paper are unfocused,

underdeveloped,

and/or unconvincing.

Argument is

repetitive and provides no critical

insight.

This paper failed to

fulfill the requirement.

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Presentation This paper is written in

formal language,

consistently uses strong and varied sentence

structure, and employs

precise and unambiguous wording

and coherent and logical

organization. The writing demonstrates

clear enthusiasm for the

topic. All sentences are complete and

grammatical. Paper has

been spell-checked and proofread, and has no

punctuation or

formatting errors.

This paper is

written in formal

language, consistently uses

strong and varied

sentence structure, and employs

precise and

unambiguous wording and

coherent and

logical organization. The

writing

demonstrates an interest in the

topic. The paper is

generally free of grammar, spelling,

punctuation, and

formatting errors.

This paper is

written in formal

language. It attempts to use

varied sentence

structure and precise and

unambiguous

wording. The writing

demonstrates care

for the topic. The paper had one or

more of the

following problems: organization was

difficult to follow;

contained multiple spelling, grammar,

punctuation, and

formatting errors.

This paper is not

written in formal

language and is hindered by one or

more of the

following: disjointed/illogical

organization;

confusing sentence structure; imprecise

or ambiguous

wording; grammar, spelling,

punctuation, and

formatting errors.

This paper has all of

the following

problems: informal tone and language;

poor organization; awkward sentence structure; imprecise

wording; grammar, spelling, punctuation, and

formatting errors.

This paper has all of

the following

problems: informal tone and language;

poor organization; awkward sentence structure; imprecise

wording; grammar, spelling, punctuation, and

formatting errors.

Proof of

Attendance and

proper credit to

production crew

and actors

This paper provides proof of attendance that

is submitted correctly and gives proper credit

to all artists included in

the paper.

This paper provides proof of

attendance and give proper credit

to the artists

included in the paper.

This paper either does not provide

proof of attendance or fails to give

proper credit to

some of the artists included in the

paper.

This paper either does not provide

proof of attendance or fails to give

proper credit to

most of the artists included in the

paper.

This paper either does not provide proof of attendance

or give proper credit to the artists involved in the

production.

This paper fails to provide proof of attendance and fails

to give proper credit to the artists discussed in the

paper.