artfinal

khalifa123
MuralArt.pptx

STREET ART

Guerrilla Art

Mural Art

Always visual

In publically accessible places

Planned and executed

Mural Art

Tends to be

site-specific

Often political

Large scale

2

Wall of Respect, 1967-1971

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1960s =

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Community-Based Mural Movement

Location – outdoors and in “neglected” sites

Initiative – artists instead of politicians or administrators

Leaders – black artists and other artists belonging to oppressed groups traditionally excluded from established art world

Support – community involvement in funding, logistics, celebration, maintenance

Collective – trend toward group creation instead of individual focus

Unity Through Diversity/Nubian Roots

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Mike Womble and Mayor’s Mural Crew, 1995

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Chicano Park, San Diego

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El Mac, 2014

Northeastern University – commissioned Ars et Scientia in 2014

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https://tinyurl.com/com-murals

Composition

Color

Line

Scale

Perspective

Story

Metaphor

Message

Intention

Similar pieces

Relationship to me

What does it mean

Do I like it?

Look

Describe

Think

Connect