exercise 2

mely1999
MARChapter3.pptx

Chapter 3: Perception

Dr. Jennifer Houston mar4503

sensation

In studying perception, we look at what marketers can add to the raw sensation's consumers experience to give them meaning

Marketers can influence the sensory inputs that consumers receive, and appeal to consumers across multiple senses

Sensory marketing can be used to create a competitive advantage

Sensation refers to the immediate response of our sensory receptors to basic stimuli such as light, color, sound, odor, and texture

Perception is the process by which people select, organize, and interpret these sensations

Sensation Marketing

Marketers communicate meaning via the visual channel through a products color, size, and styling

Colors have been linked to consumers emotional responses

Choosing an appealing color palette is a key issue in package design

Companies can develop a trade dress and color forecasts

Sensation Marketing

Odors can stir emotions or create a calming feeling

Fragrance cues are processed in the limbic system of our brains

Sensation marketing

Music and other sounds affect people’s feelings and behaviors

Corporations can create audio watermarks to establish a brands sound distinctiveness

Companies can benefit from sound symbolism, or the process by which the way a word sounds influences our assumptions about the attributes of a product

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Sensation marketing

The ability to incorporate the sense of touch has been important and profitable for companies

Technology has grown into a natural user interface, where users use touchscreens on virtually any type of technological device

Sensations that reach the skin can stimulate or relax us; we are haptic creatures who identify touch as an important sense to our experience with products

Buyers tend to want to touch objects before buying them

Encouraging shoppers to touch a product prompts consumers to imagine owning the product (the endowment effect)

Sensation marketing

Gastrophysics looks at how physics, chemistry, and perception influences how we experience what we taste

Some companies are developing an “electronic mouth” to test products prior to release

Augmented and virtual reality

Augmented reality refers to media that superimposes one or more digital layers of data, images, or video over a physical object (think Google Glass or PokemonGo)

Virtual reality technology in the consumer market drives the integration between physical sensations and digital information (think the Oculus)

The stages of perception

Our sensory threshold is what we are capable of perceiving from our environment

Our absolute threshold refers to the minimum amount of stimulation a person can detect on a given sensory channel

We also have a differential threshold, or an ability to detect changes or differences between two stimuli

The minimum difference we can detect between two stimuli is the just noticeable difference

Weber’s law says that the stronger an initial stimulus is, the greater a change must be for us to notice it

Stage One: Exposure

Exposure occurs when a stimulus comes within the range of someone’s sensory receptors

Consumers concentrate on some stimuli, are unaware of others, and even go out of their way to ignore some messages

Here’s a little psychology…

Before information even makes it into our working memory, we have a brief “pre-memory” system called sensory memory that holds information for a fraction of a second and allows for cognitive processing

Our sensory memory is a buffer system that lets us make decisions on how important a stimuli is and whether we should attend to it

How a stimulus is presented can drastically impact our ability to remember it

Information that is chunked together is easier to remember

The time it takes you to say something out loud impacts remembering

The amount of meaning a stimulus has can make us more likely to rehearse new information and in turn remember it

We have a working memory – it’s our short-term memory system (15-30 seconds) and it processes new stimuli

This is a limited capacity system, and we can only hold a certain number of stimuli in our working memory before our brain decides if we’re going to keep it, or toss it

Alan Baddeley & working memory

Baddeley is a memory psychologist that introduced the idea of subsystems in our working memory

There’s different subsystems for visual memory, auditory memory, semantics, and directing attention to multiple sources of competing information

Back to perception in marketing

Perception can be subliminal, and stimuli can be covertly embedded & perceived below the level of a consumes awareness

These are things that you may see or hear (and is processed by your working memory) that never make it into your conscious awareness

The stages of perception

If we look back at Baddeley’s model of working memory, the Central Executive is the part of the system that directs our cognitive resources and divides our attention to external stimuli

Overexposure to stimuli can cause sensory overload – more information comes in than we are able to process at once

As a society, we are becoming professional multitaskers, attending to multiple sources of media and stimuli at once

A marketer's job is to grab the attention of consumers by utilizing rich media messages that are just the right amount of attention-grabbing without overloading users

Stage Two: Attention

Attention refers to the extent to which processing activity is devoted to a particular stimulus

The stages of perception

How do marketers know when to market in order to get your attention at the right times?

A successful marketer catches a user’s attention in a time of perceptual vigilance – when a consumer is more likely to be aware of stimuli that relate to their current needs

On the flip side, a marketer should be cautious when consumers are in perceptual defense – seeing only the things they want, and ignoring other stimuli

Stage Two: Attention

Attention refers to the extent to which processing activity is devoted to a particular stimulus

The stages of perception

As unique as marketer’s attempt to be, consumers may adapt or habituate to a stimulus over time

Habituation can occur due to a stimuli’s:

Intensity – the less intense, the less impact

Discrimination – the simpler, the less memorable

Exposure – the more we see it, the less we care

Relevance – the less it relates to us, the less we care

Stage Two: Attention

Attention refers to the extent to which processing activity is devoted to a particular stimulus

The stages of perception

There are some tricks that marketers can use to make a stimuli stand out, or create contrast

The size of a stimulus in contrast to competing stimuli can make things more memorable

The color of a stimuli gives it a distinct identity

Stimuli that are positioned in a more noticeable way are going to be, well… more noticeable!

Novel stimuli that appear in unexpected ways tend to grab our attention

Stage Two: Attention

Attention refers to the extent to which processing activity is devoted to a particular stimulus

The stages of perception

Much like our friend Weber, a researcher named von Restorff found that we tend to remember things that “stand out like a sore thumb” – this is the von Restorff effect

Stage Two: Attention

Here’s a little more psychology…

The stages of perception

Gestalt psychology is a set of theories about how our brains relate incoming sensations to others already in our memory

When attending to stimuli, humans have some tendencies in how they organize incoming stimuli…

We operate by the closure principle – we tend to perceive incomplete pictures as complete, and fill in the blanks ourselves

We operate by the similarity principle – we group objects that share similar physical characteristics

We see stimuli based on the figure-ground principle – some stimulus will be dominant and other parts will recede to the background

Stage Three: interpretation

We assign different meaning to different sensory stimuli

The stages of perception

Another way of understanding how consumers interpret the meanings of symbols is semiotics – a discipline that studies the correspondence between signs and symbols and their roles in how we assign meaning

According to semiotics, every marketing message has three basic components:

The object – the product in the focus of the message

The sign – sensory images like icons, indexes, symbols, emojis

The interpretant – the meaning we derive from the sign

Stage Three: interpretation

We assign different meaning to different sensory stimuli

The stages of perception

Marketers can use perceptual positioning to influence the interpretation of a stimulus

Cater to a certain lifestyle

Establish price leadership

Define a products attributes

Cater to a certain social class

Position yourself against competitors

Define occasions for using your product

Target users in ideal demographics

Emphasize your quality

Stage Three: interpretation

We assign different meaning to different sensory stimuli

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