“The Beatles” Essay

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lec_7.docx

Kippen – Beatles MUS321

7. 1966: Revolver

1966

Began with a break

Each set up home studio

Revolver: April to June

Paperback Writer/Rain (rel. Jun 10, 66)

Tours of Germany, Japan, Philippines (late June-July); USA-Canada (August)

Late 66: work on Strawberry Fields & Penny Lane (rel. Feb 17, 67)

Advent of the Music Video?

“Rain” was more sophisticated, impressionistic, artistic, less bound by the performance of the song

“Rain”

· The result of drug experiences?

· Weather = metaphor for ups & downs of life?

Verse 1:

If the rain comes, they run and hide their heads.

They might as well be dead.

If the rain comes, if the rain comes.

Verse 2:

When the sun shines, they slip into the shade (when the sun shines down)

and sip their lemonade. (when the sun shines down)

When the sun shines, when the sun shines. (sun shine)

Bridge:

Rain I don't mind.

Shine, the weather's fine.

Verse 3:

I can show you that when it starts to rain (when the rain comes down)

everything's the same (when the rain comes down)

I can show you, I can show you (show you)

Bridge:

Verse 4:

Can you hear me that when it rains and shines (when it rains and shines)

it's just a state of mind

Can you hear me, can you hear me? (hear me)

Outro:

Sharethesmnowthsmeaness [rain comes they run and hide their heads] (rain)

Rain (rain)

· Backwards vocals: signals alternative reality?

· Ringo’s greatest drumming? Varied, unexpected patterns, great energy

· Paul: a new level of bass playing

Controversy & musicianship

Farewell tour of Hamburg

Tour of Japan: controversy over venue: Budokan

Deterioration of band’s musicianship on stage

Inability to bring off successfully some of the newer numbers

“Paperback Writer”

“Rain” not even possible on stage

Manila

Controversy in America

Bigger than Jesus

Comment by Lennon (Evening Standard, Mar 4)

“Christianity will go. It will vanish and shrink. I needn’t argue about that; I’m right and will be proved right. We’re more popular than Jesus now. I don’t know which will go first, rock and roll or Christianity. Jesus was alright, but his disciples were thick and ordinary. It’s them that ruin it for me.”

Quoted in NY Times Magazine (Jul 3)

Datebook (teen magazine): September issue released July 29

An end to touring

Revolver

A continuation of experimentation apparent in Rubber Soul

A: Taxman (Harrison)

Eleanor Rigby

I'm Only Sleeping

Love You To (Harrison)

Here, There And Everywhere

Yellow Submarine

She Said She Said

B: Good Day Sunshine

And Your Bird Can Sing

For No One

Doctor Robert

I Want To Tell You (Harrison)

Got To Get You Into My Life

Tomorrow Never Knows

Texts were integral, of value; part of the art of the album

Alternative messages needed to be read

“Cuteness had gone” (Dylan)

Lennon’s songs

“Tomorrow Never Knows”

Text based on The Psychedelic Experience: A Manual Based on The Tibetan Book of the Dead by Timothy Leary, Ralph Metzner and Richard Alpert (1964)

Turn off your mind, relax and float downstream

It is not dying, it is not dying

Lay down all thought, surrender to the void

It is shining, it is shining

That you may see the meaning of within

It is being, it is being

That love is all, and love is everywhere

It is knowing, it is knowing

That ignorance and hate may mourn the dead

It is believing, it is believing

But listen to the colour of your dream

It is not living, it is not living

Or play the game existence to the end

Of the beginning, of the beginning

· Recording techniques

· Minimalist: harmonically static (in C with a move to B♭ over C — the ♭VII / I again!)

· Tanpura drone (Indian quality); bass reinforces drone throughout

“I’m Only Sleeping”

“She Said She Said”

“Doctor Robert”

“And Your Bird Can Sing”

“…another of my throwaways ... fancy paper around an empty box”

McCartney’s songs

Very different

“Eleanor Rigby”

· Narrative song

· Double string quartet, scored by George Martin

· Only two chords: Em and C

Ah look at all the lonely people

Eleanor Rigby picks up the rice in the church where a wedding has been

Lives in a dream

Waits at the window, wearing the face that she keeps in a jar by the door

Who is it for?

All the lonely people / Where do they all come from?

All the lonely people / Where do they all belong?

Father McKenzie writing the words of a sermon that no one will hear

No one comes near

Look at him working, darning his socks in the night when there's nobody there

What does he care?

Eleanor Rigby died in the church and was buried along with her name

Nobody came

Father McKenzie wiping the dirt from his hands as he walks from the grave

No one was saved

“Here, There and Everywhere”

· Ballad about idyllic love

· Harmonic subtlety

· Quasi-free intro with a sudden key change from Bm to B♭

“For No One”

· French horn (Alan Civil) solos; clavichord

· Ends on a dominant suspension

“Good Day Sunshine”

· Complex rhythmically: intro/chorus use bars of different lengths

“Got To Get You Into My Life”

· Texture: great innovation is the use of trumpets and saxophones, closely placed mics, and a great score by GM

“Yellow Submarine”

· An opportunity to create sound effects

· Released as a single with “Eleanor Rigby” on Aug 5

Harrison’s songs

“Love You To” – Indian experimentation

“I Want To Tell You”

· Guitar riff

· Piano dissonances

· The musical arranger?

“Taxman”

· Strong opening to the album

· Cynical satire on the British tax system

· Direct attack on the two major UK political figures of 1960s, Harold Wilson & Ted Heath

Their separate ways?

Fall 1966

Lennon – Spain, How I Won The War

McCartney – worked with George Martin on a filmscore for The Family Way

Harrison – India, sitar

Starr – Spain to visit Lennon

Met up again in London at Abbey Road studios on November 24

“Strawberry Fields Forever” & “Penny Lane”

John

Folk, rock influences

Static melodies

Cryptic, nonsense lyrics

Paul

Ragtime, Jazz, Classical influences

Contoured, hyperactive melodies

Story narratives

“Strawberry Fields Forever”

Autobiographical?

Use of the mellotron (early type of synthesizer)

George Martin: orchestral version

The miraculous merge (at 1:00)

Strawberry Field / Penny Lane did not reach #1 on UK charts

“Penny Lane”

The lyric is a walk down memory lane