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Chapter6Music.docx

Chapter 6 Music Journal

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                    Huaimin chen                                                                                                          

Chapter 6 Music Journal - Part 1: The Informative Content

1. Define the following terms:

Key Terms

Definitions or Explanations or comments

Texture

 Defined by relationships and interactions

 

 

Form

 How music works are organized

 

 

Single-line texture

 Not limited to performances

 

 

Monophonic

 Only one note sounding at a time

 

 

Polyphonic

 Two or more distinct parts

 

 

Heterophony

 

 

Single melody, varied versions

 

Drone

 

 continuous, sustained tone.

 

Unison

 same part performed by two or more instruments/voices

 

 

Harmonized texture

 

 

different pitch occur together to form chords, or “harmonies.”

Multiple-melody texture

Texture in which two or more essentially separate melodic lines are performed simultaneously.

 

 

 

 

 

Interlocking

 

 

 Division of a single melodic line

Call-and-response

 

 

 Back and forth alternation between different instrument

Ostinato

 

 

 Short figure

Layered ostinatos

 

 

 Stacking of two or more ostinatos

12-bar blues (form)

 

 Cyclic form defined by a standard length cycle and chord progression

Cycle (in a cyclic musical form)

 

 

 Recurring musical unit

Verse-chorus form

 

 

 Common formal design in western music

 

Chapter 6 Journal - Part 2: Listening and Analysis

Twelve Bar Blues: “A Funny Way of Asking,” CD1-19

2. Listen to and read about “A Funny Way of Asking” on pages 80-81.  Use the following chart (based on Figure 6.3) to write brief notes in the chart below describing the contrasting musical features, including tempo, dynamics, rhythm, melodic contour, and timbre, which distinguish one cycle from the next.

Cycles

Description/comments

Cycle 1

(0:00-0:20)

Saxophone solo

 

 

 

 Medium speed. Moderate tempo. Temporary rhythm

Piano, saxophone

Cycle 2

(0:21-0:40)

Vocals (verse 1)

 

 

 

 Subito forte, decrescendo

Cycle 3

(0:41-1:00)

Vocals (verse 2)

 

 

 

 Slow tempo, piano, soft rhythm

Cycle 4

(1:01-1:21)

Saxophone solo)

 

 

 

 Medium tempo, soft dynamics

 

5. Listen to, view, and write down what you notice in these two examples of this amazing Klezmer music! 

Fast tempo

Chapter 6 Journal - Part 3: Reflections

What, in this chapter, was new to me?

Monophonic texture, polyphonic texture

 

 

 

 

 

 

 

What, in this chapter, would I like to know more about?

 

 Polyphonic texture

 

 

 

 

 

 

Of the musical examples in this chapter, which did I enjoy the most? Why?

 Harmonized textures

 

 

 

 

 

 

Of the musical examples in this chapter, which did I enjoy the least? Why?

 

 

 Multi melody textures

 

 

 

 

Other thoughts or comments about our Chapter 6.

 

 This chapter gives me more sense of music forms.