lecture notes
MUSIC HISTORY & LIT I: CHAPTER 14
The Invention of Opera
Opera
■ Brought music, poetry, drama, stagecraft together in one performance
■ New or collaboration? – Opera was a new creation that combined existing art
■ Originated in the courts around 1600, reinvented around 1650 in Venice for ticket buying public performances
■ Combination of action and affections – Dramatic, expressed emotion
Early Opera Video
https://northwestu- my.sharepoint.com/:v:/g/personal/naomi_fanshier_northwestu_edu/EWCRGZ6ko0hCpASvvbmyPs 0BNK8fVbnyqZyUyJ4XcyrQKg?e=Vedhzk
Claudio Monteverdi ■ Composer prodigy
– Published 2 volumes of sacred music by 16, and 3 books of madigrals in his early 20s
■ Played the viol and viola
■ 1590: entered the service of the Duke of Mantua, appointed master of music
– Married a court singer, Claudia Cattaneo
■ Claudia died young, leaving Monteverdi to care for their 3 young children
– Monteverdi suffered a nervous breakdown, overworked and underpaid
■ Monteverdi was dismissed from Mantua in 1612, but in 1613 became the maestro di cappella at St. Mark's in Venice, the most prestigious musical post in Italy
– Remained there for 30 years until his death
■ Known for his emotional and colorful concertato
Operatic Terms/Inventions
■ Recitative
■ Sinfonia (overture)
■ Impresario
■ Castrati
■ Libretto/librettist
Recitative
Recitative Example
Opera in Florence/Rome ■ Marco da Gagliano – employed by the Medici's and wrote several
operas (early Baroque)
■ Francesca Caccini – female composer who wrote The Liberation of Ruggiero from the Island of Alcina (1625): included ballet, a prologue, a sinfonia, everything – Became the highest paid musician/composer of dramatic music
of the time
■ Recitative and aria became the most defined solo genres of the opera – Arioso: a style of solo work that was recitative with melody (aria)
thrown in
■ Standardized the opening sinfonia (overture)
■ Not quite a public art form yet
Opera in Venice
■ 1637 – Teatro San Cassiano opened, first public opera house – Funded both by patronage and public ticket sales
■ Venice attracted diverse crowds who were enthusiastic about public performances
■ By 1678, Venice had 9 public opera houses
■ Focus on diva and prima donna
■ Francesco Cavalli – leading composer in Venice from 1639-1673. He wrote 30+ operas and is best known for perserving his own scores.
Opera as an Influence
■ Emphasis on dramatic – from music to costumes
■ Most 17th century operas only lasted a season. Those that lasted multiple seasons were considered exceptional. (Monteverdi)
■ Continuously evolving
■ Opera styles began to appear in church music, vocal chamber music, and instrumental music
Dramatic?
■ Opera greatly influenced musical art forms that are considered dramatic. What music do we have today that can be considered dramatic?