art Quiz shape and value

Quiz: Chapters 3 & 4

1) The effect of a viewer's attention shifting back and forth between positive and negative space is known as ______________________.

2) Grays that are achieved by mixing various amounts of only black and white are called ______________.

3) (T/F) A composition that features large variations of value is considered low contrast.

4) (T/F) Works of art in color do not have value. 5) Shape, in sculpture and architecture, is better referred to as

_________. 6) In a composition, the space that is not the main figure(s) or

object(s) is known as __________________. 7) This is the measurable space within a three-dimensional object,

calculated by multiplying length by width by height: ______________.

8) Geometric shapes can be ________________ or _______________.

9) This technique creates a sense of volume utilizing subtle gradations of value to suggest curved surfaces: ________________.

10) Shapes that resemble elements found in nature are called ____________.

11) When a shape enters our consciousness in such a way as to carry an immediate association we could say that it is a(n) __________.

12) This is a distinct area on a two-dimensional surface: __________. 13) The objects or figures that you focus on in a work of art are

referred to as the ________________. 14) ____________________ is the illusion of possessing volume,

having weight, and occupying space. 15) Grays that contain color are referred to as _______________ (hint:

2 possible answers)

16) _______________ is a high-contrast technique developed in the 17th century by artists to introduce drama and theatricality into their works.

17) Highlights and cast shadows enhance the illusion of _____________________.

18) The term ‘value’ refers to the range of _______________ and _____________ in a composition.

19) A composition featuring generally light values is known as __________ key.

Extra Credit

An approach to art criticism that concentrates on visual elements and design principles is known as __________________.

To avoid the sensation of figure-ground reversal in a composition, an artist might increase value _____________ to better define positive and negative space.